A young woman living with her family on the frontier in Quebec, Canada, endures the hardships of isolation and climate, and chooses between three suitors: a trapper, a farmer, and an ... See full summary »
Attorney Wayne Fletcher and his secretary are having an affair, so when Wayne's wife is found smothered to death, he becomes the prime suspect. As the police investigate the murder, a ... See full summary »
Lon Chaney Jr.,
J. Edward Bromberg
On the night of their tenth anniversary, Doctor Rene Richard accidentally discovers that his wife, actress Madeleine Richard, has been having an affair with a disturbed artist, Daniel ... See full summary »
Henri Chatelard is well in his forties, owns a restaurant and a cinema in the city, and appreciate women. When he meets Marie, a 18ish stronghead who just lost her father in a small ... See full summary »
Bold and attractive, Mike Alexander is an American who smuggles drugs across the Spanish Mediterranean. Ingrid Dekker is in love with him while the double-crossing Emily Birk tries to ... See full summary »
José Antonio Nieves Conde
A gentleman by the name of Bachi dies but can't be admitted into heaven because of an evil action committed during his lifetime. He is given the opportunity to return to the living for a ... See full summary »
Francois Donge, a wealthy manufacturer, is fighting death at hospital. He officially suffers from a food poisoning. But actually, his wife Bebe deliberately poisoned him. Flashback: ten ... See full summary »
If you've seen Raoul Walsh's "Uncertain glory", the resemblance of the beginnings of the two films will strike you.In both work,Errol Flynn (Walsh) and Gabin (Duvivier) are about to be guillotined but a bombing destroys everything,and they are free .So to speak.For France is either occupied (Walsh) or about to be (Duvivier).Most amazing thing,the films were made at the same time,as propaganda movies.To be fair ,one should say that Walsh's work is superior to Duvivier's.
Duvivier and Walsh take two divergent ways then.But the subject (and the moral) remains roughly the same: an impostor,a man (both Flynn and Gabin tell it so ) who is not afraid to die ,but who wants to die honorably ,not on a guillotine but while fighting for his country,thus redeeming himself.
Duvivier's story is almost a rehashed "Bandera" (1934),but it's not as bad as people generally say.Gabin (what a great idea!) killed a man,but he was so poor,having been brought up in an orphanage,sent to reform school ,blah ,blah,blah,well we know the score!.And as he becomes some talented Mister Ripley in the army,he nonetheless displays bravery, abnegation and sympathy for his mates.The most interesting scenes show Gabin with his pal from Normandy ,who remembers Christmases with his wife and his sister-in law Jeanne-Marie.The soundtrack includes many military marches("La Marseillaise" "Marche Lorraine" "Chant Du Départ" ). De Gaulle's speech (France has lost a battle,but France has not lost the war...) in English loses 90% of its appeal.
Duvivier's last American film ,it's perhaps his least interesting,but anyone interested in Duvivier's work should watch it once.
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