The local building-contractor Martin Roumagnac is fascinated by the fashionable Blanche Ferrand. To impress Blache, Martin presents her with a villa. However, this ruins him financially. ... See full summary »
Young, handsome, dashing but cynical, Octave Mouret arrives in Paris, determined to conquer the belles of the capital. His first attempts are not too successful though as he is rebuffed by ... See full summary »
An actor, Paul Orman, is accidentally told that his new, custom made tail coat has been cursed and it will bring misfortune to all who wear it. As the 4 succeeding wearers of the coat ... See full summary »
The story of how the people of Paris cope with the strains and struggles of war, from the siege of the city by the Prussians during the Franco-Prussian War of 1871 to the invasion by the Germans in World War II.
Two bank robbers, Cliff Banks and Sam Baker go their separate ways while being chased by the law. Now fleeing alone, Cliff begins to reflect, via flash back, the various events and unsavory... See full summary »
Bold and attractive, Mike Alexander is an American who smuggles drugs across the Spanish Mediterranean. Ingrid Dekker is in love with him while the double-crossing Emily Birk tries to ... See full summary »
José Antonio Nieves Conde
Jojo has been living for a while in a room under the roof of a block of flats in Pigalle. He has chosen to leave home since he realized his stepmother has hated him from day one. Among his ... See full summary »
If you've seen Raoul Walsh's "Uncertain glory", the resemblance of the beginnings of the two films will strike you.In both work,Errol Flynn (Walsh) and Gabin (Duvivier) are about to be guillotined but a bombing destroys everything,and they are free .So to speak.For France is either occupied (Walsh) or about to be (Duvivier).Most amazing thing,the films were made at the same time,as propaganda movies.To be fair ,one should say that Walsh's work is superior to Duvivier's.
Duvivier and Walsh take two divergent ways then.But the subject (and the moral) remains roughly the same: an impostor,a man (both Flynn and Gabin tell it so ) who is not afraid to die ,but who wants to die honorably ,not on a guillotine but while fighting for his country,thus redeeming himself.
Duvivier's story is almost a rehashed "Bandera" (1934),but it's not as bad as people generally say.Gabin (what a great idea!) killed a man,but he was so poor,having been brought up in an orphanage,sent to reform school ,blah ,blah,blah,well we know the score!.And as he becomes some talented Mister Ripley in the army,he nonetheless displays bravery, abnegation and sympathy for his mates.The most interesting scenes show Gabin with his pal from Normandy ,who remembers Christmases with his wife and his sister-in law Jeanne-Marie.The soundtrack includes many military marches("La Marseillaise" "Marche Lorraine" "Chant Du Départ" ). De Gaulle's speech (France has lost a battle,but France has not lost the war...) in English loses 90% of its appeal.
Duvivier's last American film ,it's perhaps his least interesting,but anyone interested in Duvivier's work should watch it once.
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