| Takashi Shimura | ... | Chief Goro Ishida | |
| Sôji Kiyokawa | ... | Soichi Yoshikawa, Chief of General Affairs Section | |
| Ichirô Sugai | ... | Ken Shinda, Chief of Labor Section | |
| Takako Irie | ... | Noriko Mizushima, dorm mother | |
| Yôko Yaguchi | ... | Tsuru Watanabe, president of women workers | |
| Sayuri Tanima | ... | Yuriko Tanimura, vice president of the women workers | |
| Sachiko Ozaki | ... | Sachiko Yamazaki | |
| Shizuko Nishigaki | ... | Fusae Nishioka | |
| Asako Suzuki | ... | Asako Suzumura | |
| Haruko Toyama | ... | Masako Koyama | |
| Aiko Masu | ... | Tokiko Hiroda | |
| Kazuko Hitomi | ... | Kazuko Futomi | |
| Shizuko Yamada | ... | Hisae Yamaguchi | |
| Itoko Kono | ... | Sue Okabe | |
| Toshiko Hattori | ... | Toshiko Hattori | |
| Emiko Rei | ... | Chie Shima | |
| Haruko Mii | ... | Haruko Kawai | |
| Minori Toyohara | ... | Minori Yoyota | |
| Eiko Hirayama | ... | Yoshiko Shirayama | |
| Harue Yamashita | ... | Kiyo Mishima | |
| Mineko Mashiro | ... | Mineko Bando | |
| Isuzu Miyakawa | ... | Shizue Miyazaki | |
| Michiko Oikawa | ... | Michiko Ayukawa | |
| Teruko Kato | ... | Teruko Sato | |
| Akitake Kôno | ... | Fife and drum band instructor | |
| Unpei Yokoyama | ... | Dormitory worker | |
| Chieko Nakakita | ... | Student worker | |
| rest of cast listed alphabetically: | |||
| Koyuri Tanima | ... | Factory worker | |
Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Akira Kurosawa | ||
Produced by | |||
| Motohiko Itô | .... | producer | |
| Jin Usami | .... | producer | |
Original Music by | |||
| Seiichi Suzuki | |||
Cinematography by | |||
| Jôji Ohara | |||
Production Design by | |||
| Teruaki Abe | |||
Second Unit Director or Assistant Director | |||
| Hiromichi Horikawa | .... | assistant director | |
| Jin Usami | .... | assistant director | |
Sound Department | |||
| Hisashi Shimonaga | .... | sound effects | |
Camera and Electrical Department | |||
| Masaki Onuma | .... | lighting technician | |
| Taizo Shin | .... | still photographer | |
Music Department | |||
| Hisashi Iuchi | .... | music producer | |
Other crew | |||
| Hisahsi Iuchi | .... | fife and drum band instructor | |
| Recent Posts (updated daily) | User |
|---|---|
| Availability? | martn2420 |
| Not a 'real' propaganda film, per se. | miso5000 |
| dearest to his heart | morganseer |
|
|
|
|
|
| Made in Dagenham | Grave of the Fireflies | Defiance | The Inn of the Sixth Happiness | So Well Remembered |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section |
Ichiban utsukushiku (1944) 'THE MOST BEAUTIFUL' is Akira Kurosawa's tribute to Japanese Women who supported the war effort (WWII) at the 'Home-Front'. It is analogous to films made in other countries at that time. The nations that participated in the conflict all called upon Women too help in the manufacturing process. Some successfully like Great Britain, Soviet Russia and the U.S.A. Others like China, Fascist Italy or Nazi Germany less so, with Imperial Japan falling in between. Not from lack of effort, but of resources.
Like LETTERS FROM IWO JIMA (2006) the film shows the war from the Japanese perspective. This is a propaganda film. That does not invalidate its message compared with the other participants in the conflict, it is just another point of view, made in wartime. The Women work in a optical factory which could pass for a 'Dickensian Workhouse'. Their work is important and they know it. The pressure of increased productivity with limited resources is clearly shown. It effects them all emotionally, physically and psychologically. The Men of the factory for the most part are unseen drones, except for the managers of the plant. They take a sensitive interest in the well being of their Female staff, without taking advantage of them. The War is largely unseen, but you know it is out there and getting closer all the time. The Director could see the end was coming, even if the Imperial General Staff could not.
The principal cast of Women actors are largely unknowns whose careers were brief before and after this film. They are all convincing in their roles and give believable characterizations. The only 'Star' recognizable too Western audiences would be the great TAKASHI SHIMURA. SHIMURA was a 'jake of all trades' for the TOHO Studios, Japan. His acting range spanned Business Men, Criminals, Detectives, Samurai and Scientists. Films of note, SHICHININ NO SAMURAI (1954) 'The Seven Samurai', GOJIRA (1954) 'Godzilla', CHIKYU BOEIGUN (1957) 'The Mysterians' and YOJIMBO (1961) 'Yojimbo, The Bodyguard'.
Those who have TCM or a well stocked local Library can take advantage of the films of AKIRA KUROSAWA and they should.