The Most Beautiful
(1944)
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The Most Beautiful
(1944)
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| Cast overview, first billed only: | |||
| Takashi Shimura | ... |
Chief Goro Ishida
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Sôji Kiyokawa | ... |
Soichi Yoshikawa, Chief of General Affairs Section
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Ichirô Sugai | ... |
Ken Shinda, Chief of Labor Section
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Takako Irie | ... |
Noriko Mizushima, dorm mother
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Yôko Yaguchi | ... |
Tsuru Watanabe, president of women workers
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Sayuri Tanima | ... |
Yuriko Tanimura, vice president of the women workers
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Sachiko Ozaki | ... |
Sachiko Yamazaki
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Shizuko Nishigaki | ... |
Fusae Nishioka
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Asako Suzuki | ... |
Asako Suzumura
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Haruko Toyama | ... |
Masako Koyama
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Aiko Masu | ... |
Tokiko Hiroda
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Kazuko Hitomi | ... |
Kazuko Futomi
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Shizuko Yamada | ... |
Hisae Yamaguchi
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Itoko Kono | ... |
Sue Okabe
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Toshiko Hattori | ... |
Toshiko Hattori
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During World War II, the management of a war industry of optical instruments for weapons requests an effort from the workers to increase the productivity during four months. The target for male workers is an increase of 100% of the production, but the female workers, led by the dedicated Tsuru Watanabe, ask the direction to surpass their goal from 50% to 70%. During the period, the women have to overcome illness and their personal problems to complete their quota. Written by Claudio Carvalho, Rio de Janeiro, Brazil
Like SANSHIRO SUGATA PART 2, this film was never released in the U.S. for political reasons. There's not any blatantly anti-American content, as in SSP2, but THE MOST BEAUTIFUL, filmed by government request, was a pro-Imperialist propaganda document.
Kurosawa gamely attempts to weave together a story which functions both as propaganda and as a tender coming-of-age story, but isn't entirely successful. This would have been a demanding proposition even for a seasoned pro, let alone a young director like Kurosawa, directing only his second feature.
The story follows a group of young girls working in an armaments factory in the latter days of WWII. The girls must increase production sharply. The girls suffer hardships of all sorts. One, Tao, emerges as the leader of the group. Through the travails of helping her coworkers meet their quotas, Tao learns courage, fortitude and compassion.
If all this sounds a little boring, that's because it is. Kurosawa's visual signatures are seldom seen. At least the performances are good, especially Yoko Yaguchi as Tao. Takashi Shimura has a thankless, do-nothing role as the foreman of the factory.