Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his ... See full summary »
A. Michael Baldwin,
After escaping from an asylum the mad Dr. Niemann and his hunch back assistant revive Count Dracula, the Wolf Man and the Frankenstein monster in order to extract revenge upon their many enemies. Written by
Jeremy Lunt <firstname.lastname@example.org>
Shooting lasted from April 4-May 8, 1944, released December 15. See more »
When the Wolf Man commits a murder earlier in the picture the bite marks on the throat of his victim are readily apparent. Yet after having been mortally wounded by Larry, Ilonka drags herself to his side without any visible injury. See more »
Dr. Gustav Niemann:
Fifteen thousand Marks. A thousand for every year I spent in a stinking, slimy dungeon. You bargain poorly, Herr Ulman.
Don't kill me!
Dr. Gustav Niemann:
Kill my trusted old assistant? Why, no. I'm going to repay you for betraying me; I'm going to give that brain of yours a new home in the skull of the Frankenstein monster. As for you Strauss, I'm going to give you the brain of the wolfman so that all your waking hours will be spent in untold agony awaiting the full of the moon... which will change you into a ...
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"House of Frankenstein" is salvaged by a great cast of seasoned performers who make this movie better than it should be, given it's split "B" movie story. In a move to re-generate interest in its fading horror series, Universal gives us Dracula, the Frankenstein monster, the Wolf Man, the Hunchback and the Mad Doctor all in the same film. But where's the Mummy? It is essentially divided into two parts.
We begin with the notorious Dr. Gustav Niemann (Boris Karloff) and his hunchback assistant Daniel (J. Carroll Naish) escaping from the prison in which they have been held for the past 15 years. They come upon a traveling Chamber of Horrors that supposedly includes the remains of the infamous Count Dracula, run by a Professor Lampini (George Zucco). Neimann wants to return to his home and resume his work of creating life from dead bodies and take revenge upon his accusers. The unfortunate Professor is quickly dispatched and Neimann takes his place.
It turns out that the remains of Dracula are genuine and Neimann brings him back to life in the form of John Carradine. Neimann plans to use Dracula as the instrument of his revenge. He is sent to murder the local Burgomeister (Sig Ruman) and is attracted to his grand daughter Rita (Anne Gwynne). When Rita is abducted by Dracula, her husband (Peter Coe) and the local police Inspector (Lionel Atwill) give chase and .....
Meanwhile Neimann plans to go to the ruins of Frankenstein's castle to seek out the scientist's notes on the creation of his creature. Along the way they stop at a gypsy camp and Daniel becomes infatuated with a gypsy girl Ilonka (Elena Verdugo). At the castle Daniel falls into a frozen cave where they find the Wolf Man (Lon Chaney Jr.) and the Frankenstein monster (Glenn Strange). The Wolf Man changes back into Lawrence Talbot and pleads with Neimann to help rid him of his werewolf curse.
Neimann takes them both back to his laboratory but becomes pre-occupied with restoring the monster rather than helping Talbot. Ilonka begins to fall in love with Talbot but is warned of Talbot's curse. The full moon comes up and you know what happens next. Daniel attacks Neimann because of his broken promises to him. The monster suddenly awakens and.....
The teaming of Karloff and Chaney makes this film work. Karloff is great as the mad doctor and Chaney brings pathos and sympathy to his portrayal of the doomed Talbot. Carradine makes a surprisingly good Dracula in an all too brief appearance. Naish almost steals the film as the tragic Daniel whose love for the gypsy girl is doomed from the start. Cowboy actor and former stuntman Glenn Strange takes over as the monster but has little to do until the last reel. Atwill and Zucco sadly, make only brief appearances in minor roles.
Followed by "House of Dracula" (1945) a similar but inferior film.
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