Brash ladies' man James Dale and his partner, wisecracking Everett Northrup, are sent by Cartell & Co. jewelers to safeguard the arrival of the famous Stonehaven necklace at one of its ... See full summary »
Henry Burrows, timid, white-collar worker for the firm of Rankin and Phillips, returns to his bachelor apartment to discover Joan Rankin, whom he does not know, hiding there. She feigns ... See full summary »
A young girl goes to New York to find a band leader who has stolen all the songs she wrote and is passing them off as his own. She soon meets and falls in love with a struggling young songwriter who has his own problems.
Speedee Taxis is a great success, which means its workaholic owner Charlie starts neglecting Peggy, his wife. Suddenly a fleet of rival taxis appears from nowhere and start pinching all the... See full summary »
Because of his hot, often-flaring temper, Jimmy Kelly loses another job, much to the disappointment of his mother and the disgust of his fiancée, Margie. Margie is a secretary for lawyer L.... See full summary »
The Helping Hands agency employs some very strange people to perform some very strange jobs! Even the simplest of tasks get bungled by the incompetent but lovable staff, as they get given ... See full summary »
Pupils run amok at Maudlin Street School in an attempt to hang on to their headmaster. He has applied for a new job, but the students like him and don't want to lose him. They concoct a ... See full summary »
Jimmy O'Brien (Robert Lowery)and Sammy Rubin (Sidney Miller), write jingle commercials for radio, and meet Mary Adams (Dona Drake), who wants to break into radio as a soloist for a band. The pair take a recording of Tommy Taylor's band and make a a record with Mary doing the vocal. Throught an error, 10,000 pressings are made and released through the record company owned by J.P. O'Hara (Tim Ryan). Taylor (Jerry Cooper) has always refused to have a girl singer, and through his agent Herman Strohbach (Robert Kent)threatens to sue Jimmy. Taylor hasn't heard the record but when he does he changes his mind, and instructs Strohbach to find her and sign her to a contract. Through a misunderstanding, Strohbach signs Polly Kane ('Irene Ryan'), O'Hara's wacky secretary. O'Hara doesn't know that Taylor has decided to us Mary as his vocalist, and fires Jimmy and Sammy when they tell him what has happened. Things eventually get straightened out but Strohbach finds himself with Polly under a ... Written by
Les Adams <firstname.lastname@example.org>
Suddenly something professional and quite zippy took over Monogram musicals in 1944 if the ones I have seen lately are a guide: LADY LETS DANCE and THE SULTAN'S DAUGHTER have been major surprises. HOT RHYTHM is a record company farce of mistaken identity and may just have been recycled into the equally funny PRC musical SWING HOSTESS in 1945. However, this Monogram 'musical special' owes its gloss and hilarity to a very funny script by Tim Ryan, Irene's husband (she of Grandma Clampett fame 20 years later... who'd have thought!) .....again here playing her Gracie Allen dizzy routines and singing a couple of witty songs with excellent orchestrations. Both THE SULTANS DAUGHTER and HOT RHYTHM are clearly Tim and Irene showcases with the added solid talent this time of dazzling ROAD movie co star the truly beautiful Dona Drake with handsome BATMAN star Robert Lowrey. With a lesser vision and budget (at Monogram!) this would have been a Gale Storm musical like the dreadful NEARLY EIGHTEEN or CAMPUS RHYTHM made the year before... but clearly someone at Monogram found a pile of cash somewhere and raised the quality quite a few notches to come up with these Tim and Irene musicals. HOT RHYTHM has a good co starring cast including the rarely seen Jerry Cooper who looks a lot like a morphing of Bing Crosby and Donald O'Connor. There is one song here called "Right Under My Nose" which I believe I recognize as being pinched from the Columbia musical of 1941 called TIME OUT FOR RHYTHM... another radio/record musical. The tune is exactly the same and the lyrics to Columbia's "Twiddling My thumbs" exactly fit "Right Under My Nose". Hmmmmmm..... However, in HOT RHYTHM, the comedy is good, the farce amusing, Irene Ryan is hilarious and plaintive...one funny song "The Happiest Girl In the World" suits her perfectly... and the closing number "You talked Me Into It" is solid swing. HOT RHYTHM is clearly the start of the real quality '44/'45/'46 Monogram production schedule like WHEN STRANGERS MARRY and DILLINGER then SUSPENSE and into the bigger frame Allied Artists mentality. I would like to see a lot more Monogram Pictures from 1944 because I think I have found the spot. (like 10 years prior when Herbert J Yates saw it and gobbled them up, into Republic Pictures)... I am having a really good time researching Monogram Pictures and you could too if 2008 right holders Warner Bros actually properly start releasing these films in new DVD order and clarity. DECOY anybody? .....see that one and those mentioned here (if you can) and you will enthusiastically join the hunt.
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