23 user 8 critic

Higher and Higher (1943)

Approved | | Comedy, Musical, Romance | December 1943 (USA)
With their employer bankrupt, servants scheme to marry maid Millie to a rich husband. But Frank Sinatra lives across the street...



(book), (book) | 4 more credits »

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Nominated for 2 Oscars. See more awards »
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Complete credited cast:
Millie Pico (as Michele Morgan)
Mike O'Brien
Sandy Brooks
Elisabeth Risdon ...
Mrs. Georgia Keating
Katherine Keating
Marty (as Mel Torme)
Paul Hartman ...
Byngham (as Paul)
Grace Hartman ...
Ivy Scott ...
Mrs. Whiffin


Formerly rich Mr. Drake is broke...with his household staff's wages seven months in arrears. Conniving valet Mike O'Brien hatches a scheme to pass off scullery maid Millie as Drake's debutante daughter and net a rich husband for the benefit of all. But all kinds of complications, romantic and otherwise, intervene... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis




Approved | See all certifications »




Release Date:

December 1943 (USA)  »

Also Known As:

Cada vez más alto  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Mel Tormé's film debut. See more »


During the song "when it comes to love you're on your own" (c.62 minutes) the doorways have no panes of glass in them on the lower rows, as the house staff join in the song. See more »


Cyrus Drake: Would you say I was inebriated last night?
Byngham: Oh no, sir. Although you did have Whiffen cook you six pancakes and you spent an hour trying to play them on the Victrola.
Cyrus Drake: Mmm...how'd they sound?
Byngham: Much better after you put the syrup on.
See more »


Referenced in Night Court: Can't Buy Me Love (1990) See more »


I Couldn't Sleep a Wink Last Night
Written by Jimmy McHugh
Lyrics Harold Adamson
Sung by Frank Sinatra with Dooley Wilson at piano
Reprised by Sinatra on a radio and played often in the score
See more »

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User Reviews

Pretty maids all in a row? Well, Grace and Marcy, at least.
3 July 2007 | by (Minffordd, North Wales) – See all my reviews

In Frank Sinatra's first three films, he was purely a speciality act: ostensibly playing himself, he merely shows up to croon a song during a nightclub sequence in somebody else's movie. In his fourth film, the very enjoyable 'Higher and Higher', Young Blue Eyes transitions into an acting career by playing an actual role ... a task made easier because he's playing himself in a fictional story that gives him a chance to croon a few numbers.

Sinatra's entrance is quite funny. Michele Morgan hears a knock at the door, and asks who's there. From outside, a Hoboken-toned voice answers 'Frank Sinatra'. Sure enough...

The opening credits of 'Higher and Higher' may confuse some viewers, as the names of songwriters Rodgers and Hart are prominently displayed. In fact, they only contributed one song to this musical: 'Disgustingly Rich', which this cast manage to toss off as a sort of intro to an entirely different song, 'I'm a Debutante'. Interestingly, that Rodgers & Hart song -- one of their weakest -- is perhaps the least enjoyable song in this movie's score; several others are lively up-tempo numbers, notably 'It's a Most Important Affair', 'When It Comes to Love, You're On Your Own' and 'I Saw You First'.

Sinatra's good in this movie, but he would do better work (and sing better material) elsewhere. The real merits of 'Higher and Higher' are the delightful turns by some performers who rarely made films. Paul and Grace Hartman were an extremely popular husband-wife dance team who starred in several Broadway revues: genuinely graceful ballroom dancers, they put plenty of physical comedy into their dance material. (Here, Grace does a high kick that knocks a shoe out of Paul's hands.) Grace Hartman, who died of cancer at age 48, did almost no film work, so it's a real pleasure that this film gives us a rare chance to see her close-up, to hear her beautiful singing voice and to notice how sexy she looks in her maid's uniform. After Grace Hartman's death, her husband had a long career as a character actor, just occasionally dancing solo. (Or alongside Ken Berry in one memorable episode of 'Mayberry RFD'.)

Also quite attractive in a maid's uniform here in 'Higher and Higher' is the vivacious teenage singer Marcy McGuire. Why didn't this talented girl make more movies? Perhaps she was just a bit too similar in personality to Betty Hutton. I enjoy Hutton's performances but I like Marcy McGuire even better. Near the end of 'Higher and Higher' there's an amusing bit of physical business featuring McGuire and Mary Wickes as waitresses, taking it in turns to move from table to table in a nightclub. The alternating strides of short McGuire and tall gawky Wickes are hilarious! Regrettably, although Leon Errol plays a large role in 'Higher and Higher', he is given almost no comedy business: not once does he do his famous rubber-legged dance. Jack Haley, despite his prominent billing, is also wasted.

Very well-represented here is Dooley Wilson, inevitably remembered as Sam from 'Casablanca'. In that film, Wilson did his own singing but faked his keyboard performance of 'As Time Goes By'. (In real life, Wilson couldn't play piano.) Here in 'Higher and Higher', he sings pleasingly and gives some amusing reactions to the other players. Less enjoyable is Mel Odious, I mean Mel Torme. Victor Borge gives a rare film performance here, handling his dialogue deftly but never doing any of the keyboard comedy which he later did successfully in his stage shows.

The plot? Forget it. 'Higher and Higher' is nobody's idea of a 'great' musical, but it's an enjoyable delight, and I'll rate it 8 out of 10. Director Tim Whelan, who worked in Britain as well as in Hollywood, deserves to be much better known.

6 of 10 people found this review helpful.  Was this review helpful to you?

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