Russ Raymond, America's number one crooner, disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts, a magazine journalist, is intent on finding out what happened to ... See full summary »
The life of boisterous entertainer Texas Guinan is recalled from her poor childhood with a down-on-his-luck father to her reign as the Queen of the Night Clubs. Along the way, she also ... See full summary »
Arturo de Córdova,
A young man asks a hat check girl to pose as his fiancée in order to make his dying father's last moments happy. However, the old man's health takes a turn for the better and now his son ... See full summary »
Twin sisters Rosemary and Susie Allison are successful nightclub performers. Their act is about to come to a close when serious-minded Rosemary announces she's joining the Waves. Fun-loving Susie decides to enlist also, especially after she learns that crooner Johnny Cabot has just been drafted by the Navy. Written by
Daniel Bubbeo <email@example.com>
A sprightly mock-gospel number, the 1945 Oscar-nominated "Ac-Cen-Tchu-Ate the Positive" (music by Harold Arlen, lyrics by Johnny Mercer) was represented on the "Billboard" singles chart by a couple of second-place finishers: one 78 via Decca Records by Bing Crosby, teamed with The Andrews Sisters (who did not appear in the picture), plus another 78 on Capitol from singer-songwriter Johnny Mercer, supported by The Pied Pipers (who were not featured in the movie). See more »
When Betty Hutton begins to write a letter, she is shown in medium shot and she is obviously just scribbling on the paper, but after the cut to an over-the-shoulder shot, the writing does not match and it is neat and legible. See more »
You know what you are, Windy? You're the man behind the woman behind the man behind the gun.
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If a plot involves twins you know what you are in for and this film gives you all of the mistaken identity situations that you expect.
Crosby is good as always but seems to be coasting here and the existence of Sonny Tufts' career still escapes me but while this is far from her best film the reason to watch this film is Betty Hutton. She plays twins - one amped up and zany and one demure - and does a very good job with each. The story goes that after this film came out Paramount got a lot of calls from moviegoers asking who the brunette was that played Betty's sister. She does photograph differently in each role and it is not from any makeup but from the differences in her performance.
James Agee wrote about Betty Hutton over 50 years ago, "to me she is beyond good and evil." and I agree with him completely, watching her energy and talent on the screen it is easy to see why she such a huge star in the 1940s and early 50s. Her best films are Annie Get Your Gun, The Perils of Pauline, and The Stork Club. Also try to catch The Fleet's In whenever AMC gets around to showing it to see her first film which instantly turned her into a star.
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