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The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France (1944)

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Reviews: 46 user | 34 critic

Adaptation of Shakespeare's history play in which the young Henry V seeks to conquer France.

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(play) (as Will Shakespeare)
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Title: The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France (1944)

The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France (1944) on IMDb 7.3/10

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Nominated for 4 Oscars. Another 10 wins. See more awards »

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Cast

Cast overview, first billed only:
Leslie Banks ...
Felix Aylmer ...
...
Vernon Greeves ...
Gerald Case ...
Griffith Jones ...
Morland Graham ...
Nicholas Hannen ...
Michael Warre ...
...
Ralph Truman ...
...
Duke of Berri - French Ambassador
Frederick Cooper ...
Roy Emerton ...
...
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Storyline

In the inspired Olivier concept, Shakespeare's play begins as a performance in the Globe Theatre, shifting in broad cinematic terms to an epic narrative of Henry V, who had developed from a dissolute youth to a purposeful monarch. Proving his ability as a soldier and skillful leader, he unites the dissident factions in the English army and goes on to crush the French, against enormous odds, at Agincourt. Arranging a treaty with the French court, he woos Princess Katharine to whom he is formally betrothed as part of the peace agreement. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Laurence Olivier's Presentation in Technicolor of Henry V


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

17 June 1946 (USA)  »

Also Known As:

Henry the Fifth  »

Filming Locations:

 »

Box Office

Budget:

£475,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

As a secondary title card, the 1944 film shows: "will be played by The Lord Chamberlain's Men AT THE GLOBE PLAYHOUSE THIS DAY The FIRST of May 1600" Title page of the August 1600 edition of Shakespeare's Henry V, often called the "Bad Quarto" was printed as follows: "As it hath bene fundry times playd by the Right honorable the Lord Chamberlaine his fervants." (bene = been, fundry = sundry, playd = played, fervants = servants) See more »

Quotes

[first lines]
Chorus: O! for a Muse of fire, that would ascend the brightest heaven of invention; a kingdom for a stage, princes to act and monarchs to behold the swelling scene. Then should the war-like Harry, like himself, assume the port of Mars; and at his heels, leashed in like hounds, would famine, word, and fire crouch for employment. But pardon, gentles all, the flat unraised spirits that hath dared on this unworthy scaffold to bring forth so great an object: can this cockpit hold the vasty ...
[...]
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Crazy Credits

The main title not only gives the full title of the play as Shakespeare wrote it, but spells the words in the sixteenth-century manner, not in modern spelling. See more »

Connections

Edited into Master of the World (1961) See more »

Soundtracks

Bailero
(uncredited)
(instrumental fragment)
Anonymous
Originally adapted in 1930 by Joseph Canteloube for "Songs of the Auvergne"
Played as background music during the French-English lesson scene
Conducted by Muir Mathieson
See more »

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User Reviews

A brilliant, classic film--worth watching again
5 September 2000 | by (Saint Paul, MN) – See all my reviews

What an intelligent film!!! I loved its stage-y quality--The good-humored recreation of a performance in Shakespeare's time with the audience so fully engaged, laughing at jokes we don't understand (e.g., the machinations of churchmen). I loved the details and sense of history--the sets inspired by medieval illuminations and the score by William Walton. The tight script and directing bring out the complexity of the play. Unlike other reviewers, I'd rate it higher than Branagh's more visceral, contemporary version though I can see why some might find this one pallid. It doesn't have a modern feel, and this style of acting Shakespeare feels dated to me--I've grown accustomed to naturalism. Overall, I appreciate that it is many-layered and distinctively English. I hope it accomplished its worthy goal of raising morale during the WWII.


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