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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008

4 items from 2017


Oscars 2017: How Will ‘La La Land’ Perform in Relation to Previous Best Picture-Winning Musicals?

14 February 2017 6:00 AM, PST | Scott Feinberg | See recent Scott Feinberg news »

La La Land’ (Courtesy: Lionsgate)

By: Carson Blackwelder

Managing Editor

La La Land has officially earned a spot in the history books by tying the record for the most Oscar nominations ever — but just how many of those 14 chances will it see a win? This critical darling is widely considered to take home best picture come February 26, which would make it just the 11th musical to do so, so let’s examine how it stands in the other categories by doing a deep dive into the track records of the 10 musicals that took home top honors before it.

These legendary musicals that were all able to garner Hollywood’s top award include: 1929’s The Broadway Melody, 1936’s The Great Ziegfeld, 1944’s Going My Way, 1951’s An American in Paris, 1958’s Gigi, 1961’s West Side Story, 1964’s My Fair Lady, 1965’s The Sound of Music, 1968’s Oliver!, and 2002’s Chicago. Now, »

- Carson Blackwelder

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Oscars: How Often Do Musicals Result in Best Actor and Best Actress Nominations and Wins?

6 February 2017 6:00 AM, PST | Scott Feinberg | See recent Scott Feinberg news »

Emma Stone and Ryan Gosling in ‘La La Land’ (Courtesy: Lionsgate)

By: Carson Blackwelder

Managing Editor

Not only is La La Land breaking records as the most-nominated musical in Oscar history but that haul of 14 nominations for its lead pair, Emma Stone and Ryan Gosling. Musicals don’t often get that much love from the Academy Awards and getting recognition in both the best actor and best actress categories is even rarer. Let’s take a look back at the history of this happening and see how Stone and Gosling’s nominations — and potential wins — are important.

Taking a look at this year’s nominations, Stone is favored to win more than Gosling is for their work in the Damien Chazelle-directed musical. Gosling is up against Casey Affleck (Manchester by the Sea), Andrew Garfield (Hacksaw Ridge), Viggo Mortensen (Captain Fantastic), and Denzel Washington (Fences) — with the latter expected to reign supreme. »

- Carson Blackwelder

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The Keys of the Kingdom

10 January 2017 11:59 AM, PST | Trailers from Hell | See recent Trailers from Hell news »

The Keys of the Kingdom

Blu-ray

Twilight Time

1944 / B&W / 1:37 Academy / 137 min. / Street Date December 13, 2017 / Available from the Twilight Time Movies Store 29.95

Starring: Gregory Peck, Thomas Mitchell, Vincent Price, Rose Stradner, Roddy McDowall, Edmund Gwenn, Cedric Hardwicke, Peggy Ann Garner, Jane Ball, James Gleason, Anne Revere

Cinematography: Arthur Miller

Art Direction: James Basevi, William Darling

Film Editor: James B. Clark

Original Music: Alfred Newman

Written by: Joseph L. Mankiewicz, Nunnally Johnson from a novel by A.J. Cronin

Produced by: Joseph L. Mankiewicz

Directed by John M. Stahl

 

The Twilight Time label has access to much of the Fox library, and draws from the vault what’s been fully restored and what’s not already claimed elsewhere. Accompanying their UA- sourced disc of Joseph L. Mankiewicz’s The Barefoot Contessa is a 1944 Fox release from the writer-director-producer, a big studio production directed in this case by John M. Stahl. The Keys of the Kingdom »

- Glenn Erickson

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Faith, Hope, & Clarity: Hollywood Again Shows Respect in Films for Spiritual Ideas

5 January 2017 10:00 AM, PST | Variety - Film News | See recent Variety - Film News news »

Like a prodigal son, Hollywood is again returning to religion.

Since the 1980s, Hollywood has been criticized (with justification) for depicting any religious believer as mindless, evil or both. Filmmakers this year treat them with respect.

Silence” and “Hacksaw Ridge” daringly center around devout Christians. Religious beliefs have a positive effect on the lead characters in other 2016 films, including “Fences,” “Hidden Figures,” “Jackie,” “Mr. Church,” even “The Conjuring 2.”

Studios have their own belief system, and it’s based on recent hits. Hollywood loves stories about an individual whose principles are challenged, but usually the protagonist is a superhero, cop or animated creature.

Silence” depicts the culture clash of Western Christians with Japanese. The long legacy of the “white savior” is turned upside down, and the film raises issues of faith, doubt, personal integrity, and the fine line between belief and stubborn pride. To its credit, “Silence” raises questions that audience members must answer. »

- Tim Gray

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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008

4 items from 2017


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