Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Harriet and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Harriet,... See full summary »
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows he made the right choice. After joining a parish, O'Malley's worldly knowledge helps him connect with a gang of kids looking for direction and handle the business details of the church-building fund, winning over his aging, conventional superior, Father Fitzgibbon. Written by
Although Barry Fitzgerald played a Catholic priest in this film--and several others--he was in real life not a Catholic but a Protestant. Several times during this film when he is "crossing" himself he does it wrong, going from right to left instead of from left to right. See more »
it was common custom at the time for opera singers to be classified as either soprano or contralto (alto). The term mezzo-soprano only gradually became more widespread from the 50s onwards. Now, of course, she is more correctly known as a mezzo-soprano, but in the 40s she would have been referred to as a contralto. See more »
Father Chuck O'Malley:
Hail, Alma Mater, thy time-honored halls shall echo with our praise till we die; and round our hearts are the ivy-covered walls of East St. Louis High.
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A Simple, Pleasant Movie Made More Memorable By Barry Fitzgerald
This kind of picture would normally just be a pleasant, upbeat movie worthwhile for casual viewing, but "Going My Way" is made more memorable by Barry Fitzgerald, who co-stars with Bing Crosby. There's nothing wrong with Crosby, since he is his usual self, low-key and amiable, and he has a few chances to sing as well. But Fitzgerald and his character are what adds the depth to an otherwise fairly simple story.
Crosby is rather well-cast as a young priest, since his benevolent persona seems to fit rather well in the role. As his older, more inflexible colleague, Fitzgerald delivers one of his many fine supporting performances, and in this case he has much more room than usual to develop his character as the movie proceeds. He makes the rather crabby old priest both interesting and endearing, and the character provides a valuable balance to Crosby's straightforward, well-meaning character.
The story is worthwhile, and though it is simple, the interplay between the two priests makes the rest of it work much better than it would have on its own. The somewhat episodic plot generally works well, and it provides many good moments, in addition to having some worthwhile thoughts to communicate.
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