17 items from 2015
As long as there have been wars, there have been dramatic stories about returning soldiers, wounded in body or spirit. From The Odyssey to Quiara Alegría Hudes’s Elliot trilogy, with The Best Years of Our Lives and The Men and Coming Home and Arthur Laurents’s Home of the Brave in between, writers have sought to ennoble the efforts (and borrow the dramatic ironies) of veterans unable to rejoin the community they fought to defend.As each hero’s experience of war is different, so each new war seems to evolve its own metaphor for that failed reentry, from interfering gods to alcohol to drugs to Ptsd. Take Jess, the hero of Lindsey Ferrentino’s Ugly Lies the Bone, opening tonight at the Roundabout’s Black Box space beneath the Laura Pels Theatre. Jess has returned to her hometown on Florida’s “Space Coast” after three tours of duty in Afghanistan. »
- Jesse Green
Teresa Wright ca. 1945. Teresa Wright movies on TCM: 'The Little Foxes,' 'The Pride of the Yankees' Pretty, talented Teresa Wright made a relatively small number of movies: 28 in all, over the course of more than half a century. Most of her films have already been shown on Turner Classic Movies, so it's more than a little disappointing that TCM will not be presenting Teresa Wright rarities such as The Imperfect Lady and The Trouble with Women – two 1947 releases co-starring Ray Milland – on Aug. 4, '15, a "Summer Under the Stars" day dedicated to the only performer to date to have been shortlisted for Academy Awards for their first three film roles. TCM's Teresa Wright day would also have benefited from a presentation of The Search for Bridey Murphy (1956), an unusual entry – parapsychology, reincarnation – in the Wright movie canon and/or Roseland (1977), a little-remembered entry in James Ivory's canon. »
- Andre Soares
BBC Culture has this week unveiled a new list of the top 100 American films, as voted for by a pool of international film critics from across the globe. The format of the poll was that any film that would make the list had to have recieved funding from a Us source, and the directors of the films did not need to be from the USA, nor did the films voted for need to be filmed in the Us.
Critics were asked to submit their top 10 lists, which would try to find the top 100 American films that while “not necessarily the most important, but the greatest on an emotional level”. The list, as you may have guessed, is very different to the lists curated by say the BFI or AFI over the years, so there are certainly a few surprises on here, with Steve McQueen’s 12 Years A Slave (2013), Terrence Malick »
- Scott J. Davis
First off, let's make one thing clear. We're not scratching our heads at Spike Lee's "Do The Right Thing" making the BBC's 100 greatest American films. That movie, of which an image accompanies this post, not only made the list, but ranked appropriately at no. 25. It's the rest of the selections that have us scratching and, yes, shaking our heads in disbelief. A wonderful page view driver, these sorts of lists make great fodder for passionate movie fans no matter what their age or part of the world they hail from. There is nothing more entertaining than watching two critics from opposite ends of the globe try to debate whether "The Dark Knight" should have been nominated for best picture or make a list like this. Even in this age of short form content where Vines, Shapchats and Instagram videos have captured viewers attention, movies will continue to inspire because »
- Gregory Ellwood
Leave it to the Brits to compile a list of the best American films of all-time. BBC Culture has published a list of what it calls "The 100 Greatest American Films", as selected by 62 international film critics in order to "get a global perspective on American film." As BBC Culture notes, the critics polled represent a combination of broadcasters, book authors and reviewers at various newspapers and magazines across the world. As for what makes an American filmc "Any movie that received funding from a U.S. source," BBC Culture's publication states, which is to say the terminology was quite loose, but the list contains a majority of the staples you'd expect to see. Citizen Kane -- what elsec -- comes in at #1, and in typical fashion The Godfather follows at #2. Vertigo, which in 2012 topped Sight & Sound's list of the greatest films of all-time, comes in at #3 on BBC Culture's list. »
- Jordan Benesh
Every now and then a major publication or news organisation comes up with a top fifty or one hundred films of all time list - a list which always stirs up debate, discussion and often interesting arguments about the justifications of the list's inclusions, ordering and notable exclusions.
Today it's the turn of BBC Culture who consulted sixty-two international film critics including print reviews, bloggers, broadcasters and film academics to come up with what they consider the one-hundred greatest American films of all time. To qualify, the film had to be made by a U.S. studio or mostly funded by American money.
Usually when a list of this type is done it is by institutes or publications within the United States asking American critics their favourites. This time it's non-American critics born outside the culture what they think are the best representations of that culture. Specifically they were asked »
- Garth Franklin
'Father of the Bride': Steve Martin and Kimberly Williams. Top Five Father's Day Movies? From giant Gregory Peck to tyrant John Gielgud What would be the Top Five Father's Day movies ever made? Well, there have been countless films about fathers and/or featuring fathers of various sizes, shapes, and inclinations. In terms of quality, these range from the amusing – e.g., the 1950 version of Cheaper by the Dozen; the Oscar-nominated The Grandfather – to the nauseating – e.g., the 1950 version of Father of the Bride; its atrocious sequel, Father's Little Dividend. Although I'm unable to come up with the absolute Top Five Father's Day Movies – or rather, just plain Father Movies – ever made, below are the first five (actually six, including a remake) "quality" patriarch-centered films that come to mind. Now, the fathers portrayed in these films aren't all heroic, loving, and/or saintly paternal figures. Several are »
- Andre Soares
This week marks the 10th anniversary of the release of "Crash" (on May 6, 2005), an all-star movie whose controversy came not from its provocative treatment of racial issues but from its Best Picture Oscar victory a few months later, against what many critics felt was a much more deserving movie, "Brokeback Mountain."
The "Crash" vs. "Brokeback" battle is one of those lingering disputes that makes the Academy Awards so fascinating, year after year. Moviegoers and critics who revisit older movies are constantly judging the Academy's judgment. Even decades of hindsight may not always be enough to tell whether the Oscar voters of a particular year got it right or wrong. Whether it's "Birdman" vs. "Boyhood," "The King's Speech" vs. "The Social Network," "Saving Private Ryan" vs. "Shakespeare in Love" or even "An American in Paris" vs. "A Streetcar Named Desire," we're still confirming the Academy's taste or dismissing it as hopelessly off-base years later. »
- Gary Susman
Teresa Wright: Later years (See preceding post: "Teresa Wright: From Marlon Brando to Matt Damon.") Teresa Wright and Robert Anderson were divorced in 1978. They would remain friends in the ensuing years. Wright spent most of the last decade of her life in Connecticut, making only sporadic public appearances. In 1998, she could be seen with her grandson, film producer Jonah Smith, at New York's Yankee Stadium, where she threw the ceremonial first pitch. Wright also became involved in the Greater New York chapter of the Als Association. (The Pride of the Yankees subject, Lou Gehrig, died of Amyotrophic Lateral Sclerosis in 1941.) The week she turned 82 in October 2000, Wright attended the 20th anniversary celebration of Somewhere in Time, where she posed for pictures with Christopher Reeve and Jane Seymour. In March 2003, she was a guest at the 75th Academy Awards, in the segment showcasing Oscar-winning actors of the past. Two years later, »
- Andre Soares
Teresa Wright and Matt Damon in 'The Rainmaker' Teresa Wright: From Marlon Brando to Matt Damon (See preceding post: "Teresa Wright vs. Samuel Goldwyn: Nasty Falling Out.") "I'd rather have luck than brains!" Teresa Wright was quoted as saying in the early 1950s. That's understandable, considering her post-Samuel Goldwyn choice of movie roles, some of which may have seemed promising on paper. Wright was Marlon Brando's first Hollywood leading lady, but that didn't help her to bounce back following the very public spat with her former boss. After all, The Men was released before Elia Kazan's film version of A Streetcar Named Desire turned Brando into a major international star. Chances are that good film offers were scarce. After Wright's brief 1950 comeback, for the third time in less than a decade she would be gone from the big screen for more than a year. »
- Andre Soares
Teresa Wright-Samuel Goldwyn association comes to a nasty end (See preceding post: "Teresa Wright in 'Shadow of a Doubt': Alfred Hitchcock Heroine in His Favorite Film.") Whether or not because she was aware that Enchantment wasn't going to be the hit she needed – or perhaps some other disagreement with Samuel Goldwyn or personal issue with husband Niven Busch – Teresa Wright, claiming illness, refused to go to New York City to promote the film. (Top image: Teresa Wright in a publicity shot for The Men.) Goldwyn had previously announced that Wright, whose contract still had another four and half years to run, was to star in a film version of J.D. Salinger's 1948 short story "Uncle Wiggily in Connecticut." Instead, he unceremoniously – and quite publicly – fired her. The Goldwyn organization issued a statement, explaining that besides refusing the assignment to travel to New York to help generate pre-opening publicity for Enchantment, »
- Andre Soares
Teresa Wright in 'Shadow of a Doubt': Alfred Hitchcock heroine (image: Joseph Cotten about to strangle Teresa Wright in 'Shadow of a Doubt') (See preceding article: "Teresa Wright Movies: Actress Made Oscar History.") After scoring with The Little Foxes, Mrs. Miniver, and The Pride of the Yankees, Teresa Wright was loaned to Universal – once initial choices Joan Fontaine and Olivia de Havilland became unavailable – to play the small-town heroine in Alfred Hitchcock's Shadow of a Doubt. (Check out video below: Teresa Wright reminiscing about the making of Shadow of a Doubt.) Co-written by Thornton Wilder, whose Our Town had provided Wright with her first chance on Broadway and who had suggested her to Hitchcock; Meet Me in St. Louis and Junior Miss author Sally Benson; and Hitchcock's wife, Alma Reville, Shadow of a Doubt was based on "Uncle Charlie," a story outline by Gordon McDonell – itself based on actual events. »
- Andre Soares
By Anjelica Oswald
With the DGA Award in hand, Alejandro Gonzalez Inarritu has become a frontrunner in the best director Oscar race for Birdman.
Only seven winners of the DGA Award have not won the best director Oscar in the 66 years that the Directors Guild of America has given the award. The most recent case was two years ago, when Ben Affleck wasn’t even nominated for the best director Oscar for Argo, which won best picture.
No American has won for best director since 2011 and if Inarritu, who is from Mexico, takes the Oscar this year, the trend will continue. Inarritu could become the second Latin American director to win for best director, following Alfonso Cuaron’s win last year.
In the 86 years since the Academy Awards’ inception, 89 Oscars have been given for best director. Twenty-six awards (29 percent) went to non-American born directors.
At the first annual »
- Anjelica Oswald
Sean Penn: Honorary César goes Hollywood – again (photo: Sean Penn in '21 Grams') Sean Penn, 54, will receive the 2015 Honorary César (César d'Honneur), the French Academy of Motion Picture Arts and Crafts has announced. That means the French Academy's powers-that-be are once again trying to make the Prix César ceremony relevant to the American media. Their tactic is to hand out the career award to a widely known and relatively young – i.e., media friendly – Hollywood celebrity. (Scroll down for more such examples.) In the words of the French Academy, Honorary César 2015 recipient Sean Penn is a "living legend" and "a stand-alone icon in American cinema." It has also hailed the two-time Best Actor Oscar winner as a "mythical actor, a politically active personality and an exceptional director." Penn will be honored at the César Awards ceremony on Feb. 20, 2015. Sean Penn movies Sean Penn movies range from the teen comedy »
- Steve Montgomery
By Alex Simon
1. Terrific film, period.
2. Eastwood, like all great filmmakers, takes no specific side in the telling of his story. He simply presents it, and then lets the audience draw their own conclusion.
3. It’s a litmus test movie. This means, if you’re basically an anti-war, peace-loving dove type (my camp), you’ll see it as anti-war. If you’re a bumper sticker thinking simpleton on either extreme of the sociopolitical fence, you’ll view it as “a jingoistic, pro-war, anti-Iraqi, neo-Fascist propaganda film that Leni Riefenstahl would have been proud to call her own,” or…”Yee-ha! Just like playin’ fuckin’ Call Of Duty: Mission Iraq, bubba! Let’s get our .306s together and go kill some ragheads for reals! Oh yeah, and that Lanny Reefenbacher chick woulda had a kitten over this shit. It’s awesome!”
4. Bradley Cooper gives the performance of his career, truly inhabiting the »
- The Hollywood Interview.com
His dad was one of Hollywood’s founding fathers. If there is something that Samuel Goldwyn Jr should be remembered for following his death on Friday night, it’s this, according to Tom Rothman: “For the 20 or so years before Disney put money in Miramax or we started Fox Searchlight with NewsCorp money and other studios got in the game, the independent film business really began with Sam in the late 70s.” Rothman, a lawyer in New York who repped Jim Jarmusch when he made the deal with Goldwyn Jr for Stranger Than Paradise, was hired by Goldwyn Jr to become president of The Goldwyn Company before moving on to Fox where he became the first president of Fox Searchlight.
“People forget what a seminal figure Sam was, and how many filmmakers broke through because of him,” Rothman said. “There was Kenneth Branagh, Anthony Minghella, Ang Lee, David Lynch and John Sayles. »
- Mike Fleming Jr
Samuel Goldwyn Jr., the son of a fiercely independent-minded Hollywood mogul and the producer of many independent films in his own right including “Mystic Pizza” and studio hits including “Master and Commander,” died Friday at Cedars-Sinai Medical Center in Los Angeles. He was 88. His son John Goldwyn told the New York Times he died of congestive heart failure.
Goldwyn Jr. received his final credit as a producer, together with son John and others, on Fox’s long-gestating remake of the Goldwyn Sr.-produced classic “The Secret Life of Walter Mitty,” starring and directed by Ben Stiller and released in December 2013.
The courtly and soft-spoken scion was known for shepherding independent and foreign films and got his start in documentary filmmaking, in contrast to his brash father, who made his way from a youth of poverty in Poland to a partner in MGM.
“I love it. If you don’t love this business, »
- Carmel Dagan
17 items from 2015
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