IMDb > Gaslight (1944)
Gaslight
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Gaslight (1944) More at IMDbPro »

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Gaslight -- Trailer for this strange story of a criminals love for a great beauty

Overview

User Rating:
7.9/10   14,219 votes »
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Director:
Writers:
John Van Druten (screenplay) &
Walter Reisch (screenplay) ...
(more)
Contact:
View company contact information for Gaslight on IMDbPro.
Release Date:
May 1944 (USA) See more »
Tagline:
Strange drama of a captive sweetheart! See more »
Plot:
Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane. Full summary » | Full synopsis »
Awards:
Won 2 Oscars. Another 2 wins & 6 nominations See more »
User Reviews:
Surprisingly Chilling Psychological Thriller See more (102 total) »

Cast

  (in credits order) (verified as complete)

Charles Boyer ... Gregory Anton

Ingrid Bergman ... Paula Alquist

Joseph Cotten ... Brian Cameron

Dame May Whitty ... Miss Thwaites

Angela Lansbury ... Nancy
Barbara Everest ... Elizabeth
Emil Rameau ... Maestro Guardi
Edmund Breon ... General Huddleston
Halliwell Hobbes ... Mr. Muffin
Tom Stevenson ... Williams
Heather Thatcher ... Lady Dalroy
Lawrence Grossmith ... Lord Dalroy
Jakob Gimpel ... Pianist
rest of cast listed alphabetically:
Harry Adams ... Policeman (uncredited)
Lassie Lou Ahern ... Young Girl (uncredited)
John Ardizoni ... Cab Man (uncredited)
Frank Baker ... Pedestrian (uncredited)
Wilson Benge ... Pedestrian (uncredited)
Arnold Bennett ... Footman (uncredited)
Florence Benson ... Pedestrian (uncredited)
Arthur Blake ... Butler (uncredited)
Lillian Bronson ... Lady (uncredited)
Leonard Carey ... Guide (uncredited)
Alec Craig ... Turnkey (uncredited)
Antonio D'Amore ... Cab Man (uncredited)
Wynne Davis ... Singing Flower Vendor (uncredited)
Frank Eldredge ... Lamplighter (uncredited)
Maude Fealy ... Bit Part (uncredited)
Al Ferguson ... Bit Part (uncredited)
Helen Flint ... Franchette (uncredited)

Gibson Gowland ... Servant (uncredited)

Gary Gray ... Boy in Park with Nanny (uncredited)
Roger Gray ... Stranger (uncredited)
Bobby Hale ... Lamplighter (uncredited)
Joy Harington ... Miss Laura Pritchard (uncredited)
Tom Hughes ... Pedestrian (uncredited)
Jack Kirk ... Cab Driver (uncredited)
Pat Malone ... Policeman (uncredited)
Al Masiello ... Cab Man (uncredited)
Charles McNaughton ... Wilkins (uncredited)

Terry Moore ... Paula Alquist - Age 14 (uncredited)
Clive Morgan ... Bit Part (uncredited)
Georgie Nokes ... Boy (uncredited)
Joseph North ... Policeman (uncredited)
Tarquin Olivier ... Boy in Museum (uncredited)
Elsie Prescott ... Bit Part (uncredited)
Joseph Romantini ... Cab Man (uncredited)
Syd Saylor ... Baggage Clerk (uncredited)
Arthur Stone ... Durkin (uncredited)
Alix Terry ... Girl (uncredited)
Morgan Wallace ... Fred Garrett (uncredited)
Eric Wilton ... Valet (uncredited)
Eustace Wyatt ... Budge (uncredited)
Phyllis Yuse ... Young Girl (uncredited)
Guy Zanette ... Cab Man (uncredited)

Directed by
George Cukor 
 
Writing credits
John Van Druten (screenplay) &
Walter Reisch (screenplay) and
John L. Balderston (screenplay)

Patrick Hamilton (play "Angel Street")

Produced by
Arthur Hornblow Jr. .... producer
 
Original Music by
Bronislau Kaper 
 
Cinematography by
Joseph Ruttenberg (director of photography)
 
Film Editing by
Ralph E. Winters 
 
Art Direction by
Cedric Gibbons 
 
Set Decoration by
Edwin B. Willis 
 
Costume Design by
Irene (costume supervision)
 
Makeup Department
Jack Dawn .... makeup creator
Irma Kusely .... hair stylist (uncredited)
 
Production Management
Eddie Woehler .... unit manager (uncredited)
 
Second Unit Director or Assistant Director
Jack Greenwood .... assistant director (uncredited)
 
Art Department
William Ferrari .... associate art director
Paul Huldschinsky .... associate set decorator
 
Sound Department
Douglas Shearer .... recording director
Joe Edmondson .... sound (uncredited)
 
Special Effects by
Warren Newcombe .... special effects
 
Camera and Electrical Department
Harry Stradling Jr. .... assistant camera (uncredited)
 
Costume and Wardrobe Department
Marion Herwood Keyes .... associate costume supervisor (as Marion Herwood)
Eugene Joseff .... costume jeweller (uncredited)
 
Editorial Department
William Webb .... assistant editor (uncredited)
 
Music Department
Jakob Gimpel .... musician: piano solos
Daniele Amfitheatrof .... composer: additional music (uncredited)
Mario Castelnuovo-Tedesco .... composer: additional music (uncredited)
Pietro Cimini .... music technical advisor (uncredited)
Sidney Cutner .... orchestrator (uncredited)
Nat W. Finston .... conductor (uncredited)
Robert Franklyn .... orchestrator (uncredited)
Arthur Rosenstein .... vocal coach (uncredited)
Conrad Salinger .... orchestrator (uncredited)
 
Other crew
Ruth Roberts .... dialogue coach: Ingrid Bergman (uncredited)
David O. Selznick .... special advisor (uncredited)
Charles Walters .... dance director (uncredited)
 
Thanks
David O. Selznick .... acknowledgment: Miss Bergman and Mr. Cotten through courtesy of
 
Crew verified as complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
114 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Argentina:13 | Australia:PG | Finland:K-16 | Germany:12 | Netherlands:6 | Spain:T | Sweden:15 | UK:PG | USA:TV-PG | USA:Passed (National Board of Review) | USA:Approved (certificate #9800)

Did You Know?

Trivia:
When this film was produced, MGM attempted to have all prints of the previous version, Gaslight (1940), destroyed. These efforts were ultimately unsuccessful, though the film was rarely seen for the next few decades.See more »
Goofs:
Continuity: When Williams arrives at Cameron's house, Cameron asks his butler to bring another cup; shortly thereafter, Cameron is already pouring Williams coffee in a cup but the butler never returned.See more »
Quotes:
Paula Alquist Anton:[holding the brooch] I've found it at last, you see, but it doesn't help you, does it, and I'm trying to help you, aren't I, trying to help you to escape. How can a mad woman help her husband to escape?See more »
Movie Connections:
Soundtrack:
Piano Sonata No. 8 in C minor, Op. 13 (Pathetique)See more »

FAQ

Is "Gaslight" based on a book?
How did Brian Cameron recognize Gregory?
What is 'Gaslight' about?
See more »
47 out of 65 people found the following review useful.
Surprisingly Chilling Psychological Thriller, 14 February 2000
Author: WritnGuy from New Jersey

Not being a big fan of older movies myself (for some reason I really don't know) I decided to go out on a recommendation and rent "Gaslight." And I must be honest, I was impressed.

When Paula was younger, her aunt with whom lived with in Thornton Square in London was murdered by a strangler roaming the streets. Paula goes to stay in Italy, and some time later, meets Gregory. She and Gregory plan to marry, and after they do, they move to London, back to the exact house Paula lived in.

Not too long after, Paula starts to become "forgettful," as Gregory tells her. In fact, he tells her a lot of things...and she believes him. Then things she knows she had put somewhere or remembered doing seem nonexistent, and Paula is left to wonder if her sanity is in check. Then, many times, she starts hearing footsteps, and the gaslights are going down a lot. Is Paula going crazy, or is she being haunted by her dead aunt's spirit...or is it something far more sinister?

I liked this movie a lot. Ingrid Bergman and Charles Boyet were amazing. Bergman portrays her character's emotions to the point that you feel the same way she does. And Boyet is pure evil in this one. Many times watching this, I was thinking, "He is so terrible to her!" It was so psychological, how everything eveloped. The best scene in the whole movie took place at the reception, when Gregory tells Paula he lost his watch, and then finds it in her purse. Then she bursts into tears, and it was so absolutely amazing how the scene was pulled off. In fact, it was so subtle it was scary. You wouldn't expect a missing watch found in her purse to be such a big deal, but it is such a strong scene.

The one thing I didn't like about this otherwise nearly flawless movie was the climax. It was just too dull to me, and the only part I really liked was Paula's wicked sarcasm towards Gregory while they're in the attic. She truly did deserve the Best Actress Oscar for her acting, but nothing could mask the fact that the climax was just too weak. If it had a bit of a touchup, this movie would be perfect.

All in all, I recommend this without hesitation. It is absolutely amazing, and I could watch it again and still enjoy it, and that is quite rare for me. So, I recommend you find this wherever you can and give it a chance. It's a classic.

Was the above review useful to you?
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