The professional gambler Ross Hadley is the owner of a posh gaming establishment in the heart of New York. Hadley's main antagonist is his childhood friend Mike McGlennon. McGlennon, now a ...
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Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise from his unhappy broken home shows this to be far from the case. After being taken in by ... See full summary »
A woman doesn't realize that the man she has just married is a gangster. When she is implicated in a murder he committed, she turns to an ex-boyfriend, who is now a park ranger, for help. ... See full summary »
The professional gambler Ross Hadley is the owner of a posh gaming establishment in the heart of New York. Hadley's main antagonist is his childhood friend Mike McGlennon. McGlennon, now a police lieutenant, is determined to stop the gambling activities of Hadley. Hadley's and McGlennnon's relationship becomes more complex, when they notice, that they both are in love with the attractive Mary Hayes. Mary sings in nightclubs under the stage name 'Vi Parker'. Written by
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
Pine and Thomas were known around Paramount as 'The Dollar Bills' because they were both named William and they could turn out a watchable second feature that would turn a nice profit on the cheap. For a decade or so they prospered, giving B talent a chance to shine in decently-written movies with good production values.
Here Chester Morris, Nancy Kelly and Lyle Talbot -- a decade past their primes -- are enjoyable in the sort of movie that W.S. Van Dyke used to direct people in a decade earlier -- MANHATTAN MELODRAMA and SAN FRANCISCO, where the two male leads grew up together, one became a gambler -- usually played by Clark Gable -- and the other became a priest or a lawyer -- that could be Spencer Tracy or William Powell -- and they both love the same girl, of course. And that's the beginning, middle and end, with, of course, an interesting run of good character actors, of which Hollywood had a plethora in the 1940s. So don't expect anything startlingly original, but do expect a pleasant ninety minutes.
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