An English lady falls madly in love with a French Pirate.

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Cast

Cast overview:
...
Dona St. Columb
...
Jean Benoit Aubrey
...
Lord Rockingham
...
...
William
...
Harry St. Columb
Harald Maresch ...
Edmond (as Harald Ramond)
Billy Daniel ...
Pierre Blanc (as Billy Daniels)
...
Lady Godolphin
Patricia Barker ...
Henrietta
David James ...
James
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Storyline

An English lady bored with London society brings her 2 children to their country home. Her servant William is also working for a French pirate who holds up with his ship and crew off the coast. They soon meet and she embarks on an adventure with the pirates!

Plot Summary | Add Synopsis

Taglines:

A Lady of Fire and Ice... A Rogue of Steel and Gallantry


Certificate:

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Details

Country:

Language:

Release Date:

20 September 1944 (USA)  »

Also Known As:

El pirata y la dama  »

Filming Locations:

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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »

Connections

Version of Frenchman's Creek (1998) See more »

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User Reviews

The kind of thing for which Technicolor was invented!
12 May 2003 | by (Portland, Oregon) – See all my reviews

I've never seen this fanciful costumer in a theater but a TV broadcast, quite a few years ago, fairly leapt from the screen - the three-strip Technicolor had transferred to video as if it were a pristine print. Paramount obviously spared no expense on this one and, despite some minor objections, I recall being thoroughly entertained by it, especially that absolutely savage battle-to-the-death between Basil Rathbone's quintessentially dastardly villain and a desperately determined Joan Fontaine.

Some years back I somewhere read that, while waiting in full makeup and costumes for the lighting technicians to work their magic, Miss Fontaine rather scathingly queried her costar, Arturo de Cordova, why he was pursuing a career as an actor, apparently with the implication that it was an occupation unworthy of a man. If that's the kind of treatment he had to undergo at the hands of a Hollywood leading lady, one can confidently guess that his much greater success in Latin American cinema left him with few regrets that his Hollywood sojourn never amounted to much.


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