After the bandit Jim Stokes robs the stage he is wounded fleeing. Recuperating at a ranch, he falls in love with and marries the daughter. Now wishing to go straight he tries to return the ... See full summary »
William S. Hart,
J. Frank Burke,
During World War II, the management of a war industry of optical instruments for weapons requests an effort from the workers to increase the productivity during four months. The target for ... See full summary »
A lad with a penchant for trouble is sent to live with his aunt and uncle in Indiana. Though he's not happy about the arrangement at first, his love of horses and his affection for a young ... See full summary »
A traveler between two countries metaphorically named "Easternstan" and "Westernstan" loses his passport and identity papers. Stuck between the two countries he can neither cross the ... See full summary »
Strange doctor secretly experiments with androids on his space station. His assistant is Max, a curious android who wants to see the world and meet a girl. Criminals Maggie and two other hide on their station and soon violence erupts.
Napoli, gli inizi del secolo. Assunta Spina è una bella stiratrice ed ha per amante Michele, ma Raffaele continua a girarle attorno. Un giorno, durante il pranzo di onomastico a Marechiaro,... See full summary »
Two innocent men are wrongly convicted of murder and sentenced to death. The fiance of one of them convinces a police detective of their innocence, and together they try to find the real ... See full summary »
Earp agrees to become marshal and establish order in Tombstone in this very romanticized version of the gunfight at the O.K. Corral (e.g., Doc is killed by Curley before the actual battle and Earp must do the job alone).
One of the most expensive projects of its time - between the 5 million RM of "Münchhausen" and 8,5 million RM of "Kolberg" - this film is worth its reputation. I do understand that it can be watched without subtitles, but having translated this film recently I urge you to find a subtitled version, or you'll miss most of its fun. The dialog is very snappy and sometimes even funny. But it's the musical numbers that really are the piece de resistance here, building an enormous Agfacolor alternative reality to the world that was devastated by the War. It's reported that the orderly Germans occasionally stampeded the fellow citizens trying to get a ticket - such was the enthusiasm as the film opened in the late summer of 1944. Rökk is not only a brilliant, acrobatic dancer and a passable comedienne, but also a good singer, starting the film in low cabaret-like voice and showing off her soubrette soprano towards the end. She always was on the stout side (she probably needed strong muscles to perform her acrobatics), but in this film she really looks good and elegant. Highly enjoyable piece of Nazi film-making without a trace of propaganda.
After the war this film (along with many other German musicals) was screened as a "trophy picture" in Moscow and the whole Soviet Union. Ironically, the words of Herr Göbbels became true: German film would march with the German army anywhere in the World. The army didn't make it, the film did. Even more: the grand finale, really a beautiful piece of film-making, made it to the syllabus of the course in the Soviet Film Institute, where it remained for a long time. In the greatest of all the Russian cult TV serials - The 17 Moments of Spring - there's a lengthy scene where the protagonist, the Soviet spy in the Nazi Germany, sits his way through this film for the 13th time. The voice over explains that he hated the film but was waiting for the appearance of a secret courier; nevertheless the fact that about 3 minutes of the screen time (eagerly watched in 1971 by about 200 million people) is used, to show one of the dance numbers in the finale, proves that The Girl Of My Dreams had been firmly established in the collective knowledge of the Soviet citizen one way or another.
19 of 22 people found this review helpful.
Was this review helpful to you?