5 items from 2015
Love can be a many splendid thing…both in triumph and sometimes in tragedy. The emphasis of this sentiment is mainly on the latter as tragedy can be defined in various degrees of despair. Consequently, we have endured all sorts of conflict between lovers in cinema throughout the history of frequenting the movies.
In You’ve Lost That Loving Feeling: Top Ten Tragic Lovers in the Movies we will look at a selection of films where the tragic circumstances have shaped the foundation of film lovers convincingly. The tragic overtones come in all varieties: marital discourse, criminal activity, fraud, addiction, etc. Granted that there are probably bigger and better choices for lovey-dovey antagonism that could be cited in You’ve Lost That Loving Feeling but hey…the outcome remains the same: hampered relationships that are creatively rooted in turmoil.
The spotlight of “lovers” are open to discussion in the realm of combative married couples, »
- Frank Ochieng
Director Barry Levinson offers his thoughts on what’s behind the growing outcry for more diversity in Hollywood films.
Are we a racist country? Yes. But we are getting better. For certain. And while that battle for absolute equality is being played out, an odd controversy about the racial injustice in the Academy of Motion Picture Arts & Sciences has emerged. The Oscar nominations of 2015 are being questioned as racially prejudicial. There are those who say a black woman, who directed “Selma,” was overlooked because of racial bias, and the actor who played Martin Luther King Jr. was also overlooked because he was black. The film was nominated by the Academy, but these individuals were not. I would tend to agree with these accusations if I thought the Academy had a great record of selecting the best nominees each year, but they don’t. It is impossible to pass through a single awards season without hearing, »
- Barry Levinson
The American Film Institute is probably best known for those lists of the 100 Greatest Movies of All Time (y'know... if it's an American production in some way). Well, every year they hold their own awards, because every group of people has to have awards. They recognize the ten best films (for this year, it's eleven due to a tie) and the ten best television programs of the year. There are not winners in these categories, but each one gets celebrated. On that front, I kind of like the AFI approach to awards. Along with the awards, AFI has put together this four and a half minute montage chronicling the last 120 years of film. Now, it would be ridiculous to cover every single year. Instead, they start with 1894's Strong Man and jump every ten years, showcasing films like Rear Window, The Godfather: Part II, Pulp Fiction, and Eternal Sunshine of the Spotless Mind »
- Mike Shutt
Loretta Young films as TCM celebrates her 102nd birthday (photo: Loretta Young ca. 1935) Loretta Young would have turned 102 years old today. Turner Classic Movies is celebrating the birthday of the Salt Lake City-born, Academy Award-winning actress today, January 6, 2015, with no less than ten Loretta Young films, most of them released by Warner Bros. in the early '30s. Young, who began her film career in a bit part in the 1927 Colleen Moore star vehicle Her Wild Oat, remained a Warners contract player from the late '20s up until 1933. (See also: "Loretta Young Movies.") Now, ten Loretta Young films on one day may sound like a lot, but one should remember that most Warner Bros. -- in fact, most Hollywood -- releases of the late '20s and early '30s were either B Movies or programmers. The latter were relatively short (usually 60 to 75 minutes) feature films starring A (or B+) performers, »
- Andre Soares
40. Beauty and the Beast (1991)
Lost to: Silence of the Lambs 1991 was the first time an animated film ever grabbed a nomination for Best Picture with Disney’s version of “Beauty and the Beast.” The film also picked up nominations for sound, Original Score (for which it won) and three – count ‘em Three – for Best Original Song, the Oscar going to the title song. The film never really had a chance of winning (though this was one rare year where the Academy went exceedingly dark with their winner), but its inclusion was the first step toward a wider range of films getting a chance and the creation of the eventual Best Animated Film category.
39. The Maltese Falcon (1941)
Lost to: How Green Was My Valley
1941 would one day become one of the most notorious Oscar upsets, but not because of this film, however brilliant it is (the other film is much higher »
- Joshua Gaul
5 items from 2015
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