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| Fred MacMurray | ... | Walter Neff | |
| Barbara Stanwyck | ... | Phyllis Dietrichson | |
| Edward G. Robinson | ... | Barton Keyes | |
| Porter Hall | ... | Mr. Jackson | |
| Jean Heather | ... | Lola Dietrichson | |
| Tom Powers | ... | Mr. Dietrichson | |
| Byron Barr | ... | Nino Zachetti | |
| Richard Gaines | ... | Edward S. Norton, Jr. | |
| Fortunio Bonanova | ... | Sam Garlopis | |
| John Philliber | ... | Joe Peters | |
| rest of cast listed alphabetically: | |||
| James Adamson | ... | Pullman Porter (uncredited) | |
| John Berry | ... | Bit Part (uncredited) | |
| Raymond Chandler | ... | Man Reading Book (uncredited) | |
| Edmund Cobb | ... | Train Conductor (uncredited) | |
| Kernan Cripps | ... | Conductor (uncredited) | |
| Betty Farrington | ... | Nettie - Dietrichsons' Maid (uncredited) | |
| Bess Flowers | ... | Norton's Secretary (uncredited) | |
| Miriam Franklin | ... | Keyes' Secretary (uncredited) | |
| Harold Garrison | ... | Redcap (uncredited) | |
| Eddie Hall | ... | Man in Drug Store (uncredited) | |
| Teala Loring | ... | Pacific All-Risk Telephone Operator (uncredited) | |
| George Magrill | ... | Man (uncredited) | |
| Sam McDaniel | ... | Charlie - Garage Attendant (uncredited) | |
| Billy Mitchell | ... | Pullman Porter (uncredited) | |
| Clarence Muse | ... | Man (uncredited) | |
| Constance Purdy | ... | Fat Shopper in Market (uncredited) | |
| Dick Rush | ... | Pullman Conductor (uncredited) | |
| Floyd Shackelford | ... | Pullman Porter (uncredited) | |
| Oscar Smith | ... | Pullman Porter (uncredited) | |
| Douglas Spencer | ... | Lou Schwartz (uncredited) | |
Directed by | |||
| Billy Wilder | |||
Writing credits | ||
| Billy Wilder | (screenplay) and | |
| Raymond Chandler | (screenplay) | |
| James M. Cain | (from the novel by) | |
Produced by | |||
| Buddy G. DeSylva | .... | executive producer (uncredited) | |
| Joseph Sistrom | .... | producer (uncredited) | |
Original Music by | |||
| Miklós Rózsa | (music score) (as Miklos Rozsa) | ||
Cinematography by | |||
| John F. Seitz | (director of photography) (as John Seitz) | ||
Casting by | |||
| Harvey Clermont | (uncredited) | ||
Art Direction by | |||
| Hans Dreier | |||
| Hal Pereira | |||
Set Decoration by | |||
| Bertram C. Granger | (as Bertram Granger) | ||
Costume Design by | |||
| Edith Head | (costumes by) | ||
Makeup Department | |||
| Wally Westmore | .... | makeup artist | |
| Hollis Barnes | .... | hair stylist (uncredited) | |
| Robert Ewing | .... | makeup artist (uncredited) | |
Production Management | |||
| Al Trosin | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Charles C. Coleman | .... | assistant director (uncredited) | |
| Bill Sheehan | .... | second assistant director (uncredited) | |
Art Department | |||
| Jack Colconda | .... | props (uncredited) | |
| Jim Cottrell | .... | props (uncredited) | |
| Paul Tranz | .... | engineer (uncredited) | |
Sound Department | |||
| Stanley Cooley | .... | sound recordist | |
| Walter Oberst | .... | sound recordist | |
| Jack Duffy | .... | cableman (uncredited) | |
| H.O. Kinsey | .... | recordist (uncredited) | |
| Loren L. Ryder | .... | sound recordist (uncredited) | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
Camera and Electrical Department | |||
| Ed Henderson | .... | still photographer (uncredited) | |
| Walter McLeod | .... | key grip (uncredited) | |
| Otto Pierce | .... | camera operator (uncredited) | |
| Bill Pillar | .... | mike grip (uncredited) | |
| Chet Stafford | .... | electrician (uncredited) | |
| Harlow Stengel | .... | camera operator (uncredited) | |
| Paul Tranz | .... | dolly grip (uncredited) | |
Costume and Wardrobe Department | |||
| Neva Bourne | .... | wardrobe (uncredited) | |
| Eugene Joseff | .... | costume jeweller (uncredited) | |
| Bill Rabb | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Doane Harrison | .... | editorial supervisor | |
| Lee Hall | .... | assistant editor (uncredited) | |
Music Department | |||
| Eugene Zador | .... | orchestrator (uncredited) | |
Other crew | |||
| Jack Gage | .... | dialogue director (uncredited) | |
| Nancy Lee | .... | script clerk (uncredited) | |
| Dorothy Staton | .... | stand-in: Ms. Stanwyck (uncredited) | |
| John R. Woolfenden | .... | publicist (uncredited) | |
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| Derailed | Strangers on a Train | Perfect Stranger | So Sweet, So Dead | Mildred Pierce |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Crime section |
| IMDb USA section |
This film noir classic may be the best murder mystery of all time in this storied Hollywood genre. Fred MacMurray and Edward G. Robinson are excellent but it is Barbara Stanwyck who really makes the picture come together as a woman without a moral compass. Stanwyck set the standard for tough, calculating, shady women who exploit men without shame or remorse and her masterful manipulation of MacMurray is the movie's central theme. The film's imagery is filled with shadows and low lighting, accompanied by a tense, brooding music score. Stanwyck spins her web of ensnarement like a black widow with her victim seemingly unaware of the danger that enfolds him. MacMurray provides the narrative of the film which is told in flashback and delivers a cryptic account of the events in a confession to a boss who trusted him completely. Robinson is on target as the skeptical and suspicious boss who has a sixth sense about phony insurance claims. A nice supporting cast contributes to this thriller, namely Richard Gaines and Porter Hall.