Double Exposure (1944)Director:William Berke |
|
| 0Share... |
Double Exposure (1944)Director:William Berke |
|
| 0Share... |
| Cast overview: | |||
| Chester Morris | ... |
Larry Burke
|
|
| Nancy Kelly | ... |
Pat Marvin
|
|
|
|
Jane Farrar | ... |
Dolores Tucker
|
|
|
Phillip Terry | ... |
Ben Scribner
|
|
|
Richard Gaines | ... |
James R. Turlock
|
|
|
Charles Arnt | ... |
Sonny Tucker
|
|
|
Claire Rochelle | ... |
Smitty
|
|
|
Roma Aldrich | ... |
Mavis
|
Chester Morris is Larry Burke, fast-talking editor of Flick, the picture magazine "that's always there when it happens." Short on energetic staff photographers, he recruits and hires Pat Marvin, a photographer from way out in Iowa, on the strength of a syndicated newspaper photo that appears to capture a crashing plane right as it hits the ground! Larry is somewhat taken aback, when Pat arrives in his office, to discover that Pat is a femalebut decides to give her a shot. Has she got glub?
Thus begins a wacky tale in which we encounter a jealous boyfriend posing as a brother; an amorous millionaire who casually ditches old wives and selects new ones; the magazine's health nut owner, who comes into the office every morning handing out carrots and leading calisthenics; and a fairly neat little murder mystery thrown in for good measure. --Oh, and Chester explaining that "glub" is an acronym representing four things you've got to have to get ahead in the businessyou must be a Go getter, Lucky, Up and at 'em, and a Bunko artist at heart. G,L,U,B. "No woman could possibly have it," he explains to Patwho naturally (and to Chester's delight) sets about proving him wrong.
Nancy Kelly is Pat, the girl from Iowa looking for a big break. The back-and-forth between her and Morris is excellentsnappy, affectionate, sometimes sillyand their relationship is the center of the picture. Morris is at his frantic best; Kelly is a match for his quickness, while her character's earnestness counters his flipness.
Among other bizarre moments, the picture features more than one shot where a character pauses on the way out of a scene and speaks an aside right to the cameraincluding the loser boyfriend who hilariously turns to the audience to complain about getting kissed on the cheek again.
Good dialog keeps things moving; a couple of truly surprising plot twists charm and delight as well.
Funniest exchangemagazine owner Richard Gaines explaining to editor Morris how to solve a murder: "First you question the suspects." Morris: "What suspects? Pat's the only one." Owner: "Well, find some!"