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Don't Take It to Heart (1944)
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Overview
User Rating:
Release Date:
13 November 1944 (UK) morePlot:
The castle ghost helps the lady and the lawyer beat off developers. full summary | add synopsisPlot Keywords:
Ghost
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Castle
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Aristocracy
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Haunted
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Beautiful Woman
User Comments:
My brief review of the film moreCast
(Credited cast) | Richard Greene | ... | Peter Hayward |
| David Horne | ... | Sir Henry Wade, Prosecuting Counsel |
| Patricia Medina | ... | Lady Mary |
| Alfred Drayton | ... | Mr. Pike |
| Joan Hickson | ... | Mrs. Pike |
| Richard Bird | ... | Ghost Arthur |
| Wylie Watson | ... | Harry Bucket |
| Claude Dampier | ... | Loopy |
| Edward Rigby | ... | Butler |
| Brefni O'Rorke | ... | Charles, Lord Chaunduyt |
| Moore Marriott | ... | Granfer |
| Ernest Thesiger | ... | Justices' Clerk |
| Ronald Squire | ... | Music Lover |
| Joyce Barbour | ... | Harriet |
| rest of cast listed alphabetically: | |||
| Claude Bailey | ... | Magistrate |
| Ivor Barnard | ... | Bus-Driver |
| Esma Cannon | ... | Maid |
| Patrick Corwen | ... | Smith |
| Peter Cotes | ... | Patterson, Junior Counsel |
| Patric Curwen | ||
| Harry Fowler | ... | Telegraph Boy |
| Arthur Hambling | ... | Railway Porter |
| Ernest Jay | ... | Tripp, Reporter |
| Edie Martin | ... | Postmistress |
| George Merritt | ... | Landlord |
| John Salew | ... | Dr. Rose, witness |
| John Turnbull | ... | Police Sergeant |
| Amy Veness | ... | Cook |
| Margaret Withers | ... | Mrs. Smith |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
90 minCountry:
UKLanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
MonoFAQ
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A pleasant and amusing but far from brilliant old British comedy, more often than not it is too silly for its own good, and some of the comedy bits are a bit awkward. The biggest problem with it all is however that the plot is tad too complex, in view of the light-hearted manner in which the material is treated. Still, the film certainly has its fair share of virtues. The cinematographer makes good use of lime lapse and zooming, plus the set design is interesting. Having Moore Marriott on hand is always a good thing too, even though this time he is not quite as delightful as usual. The special effects are okay for the time, and so is the overall quality of the picture. It is nothing really special, but it is quite satisfactory stuff.