American policeman Mike Brent (John Payne) arrives in Denmark to help clear his sister of a murder rap in which her partner/boyfriend has been killed, and all the evidence leads to her ... See full summary »
In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's ... See full summary »
Agnes Langsley gets a job, through Jim Hollis, as caretaker of an old and vacated estate. The owner's cousin, Jennifer, was the last occupant and mysteriously disappeared. Agnes soon begins... See full summary »
Leslie Calvin, the sole survivor of a submarine accident, goes to her relatives in order to recover emotionally. Unfortunately she encounters various scam artists led by Mr. Sydney who intend to kill her and steal the family assets. Dr. George Grover helps Leslie to defeat Sydney. Written by
Sam Goldberg <email@example.com>
As Leslie Calvin enters the front porch area, Cleeve empties his pipe and places it in the breast pocket of his jacket with the bowl of the pipe protruding above the pocket line. Later on the tour of the plantation as Mr. Sydney passes by Cleeve the pipe is gone but in the next shot just seconds after Mr. Sydney has walked a few steps away, the pipe is again clearly visible. See more »
DARK WATERS is an engaging little movie with a great setting: the almost-deserted bayous of the American South, which provide a hostile backdrop to the hostile storyline. This is one of those descent-into-madness type movies, where you're never quite sure if the protagonist is losing his or her mind, or whether everyone really is out to get them. As such, it's one of the earliest variations on the theme I've seen.
The movie benefits from some strong players in the cast, notably Merle Oberon's lead, Leslie, who does the whole haunted-while-remaining-sympathetic thing very well. Franchot Tone, as the doctor who becomes involved in her case, is also very stalwart as a dependable hero type. Thomas Mitchell's villain has more than a touch of the Charles Laughtons about him, and of course there's a nice part for Elisha Cook Jr., too.
The story is quite slowly paced but it does take time to build the atmosphere and in the end it pays off with the doom-laden climax which finishes everything up as you would hope. As such films are usually all about the atmosphere, I think this one's readily up to the job.
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