Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
On a Greek island during the 1912 war, several people are trapped by quarantine for the plague. If that isn't enough worry, one of the people, a superstitious old peasant woman, suspects ... See full summary »
Nell Bowen, the spirited protege of rich Lord Mortimer, becomes interested in the conditions of notorious St. Mary's of Bethlehem Asylum (Bedlam). Encouraged by the Quaker Hannay, she tries... See full summary »
Tom Merriam signs on the ship Altair as third officer under Captain Stone. At first things look good, Stone sees Merriam as a younger version of himself and Merriam sees Stone as the first ... See full summary »
In occupied France during the Franco-Prussian War, a young French laundress shares a coach ride with several of her condescending social superiors. But when a Prussian officer holds the ... See full summary »
This mostly unrelated sequel to Cat People (1942) has Amy, the young daughter of Oliver and Alice Reed. Amy is a very imaginative child who has trouble differentiating fantasy from reality, and has no friends her own age as a result. She makes an imaginary friend though, her father's dead first wife Irena. At about the same time, she befriends Julia Farren, an aging reclusive actress who is alienated from her own daughter Barbara. Written by
Ken Yousten <firstname.lastname@example.org>
Although this sequel to Cat People (1942) is said to have nothing to do with the original film, in reality it is a continuation in the sense that the same actors (Kent Smith & Jane Randolph) play the same characters (Oliver Reed & Alice Moore) who fell in love at the end of the previous film. They are here married and have a daughter. Also, Irina (Simone Simon), who was the first Mrs. Reed, plays a prominent part in this story. However, this film has nothing whatsoever to do with the "cat people" of the original movie, nor with any curse. See more »
The vehicle that passes Amy on the bridge leaves no tracks in the snow next to her. See more »
One of my all time favorite films which captures the innocence and free imagination of youth set against the pragmatism of adulthood(as portrayed by the young girl and her father respectively). Only the little girls schoolteacher is supportive of the girls rich imagination, as even the old woman she befriends is caught up in irrational personal demons that have none of the simple beauty and longing that the girl carries in her soul. The direction, by the great director Robert Wise and Gunther Von Fritsch is perfect, the musical score haunting and expressive of the girl's altering state of mind and the screenplay by Dewitt Bodeen, gentle, observed and haunting. Bodeen also wrote the screenplay for the film The Enchanted Cottage which has a similar feeling about it and also focuses on the power and healing of a rich imagination and love.Enchantment is the perfect word to describe the whole essence of Curse and the magical moments when Simone Simon(as the spirit of the little girls mother) appears to her. These two movies would actually make a perfect double feature. An absolutely captivating film that is enchanting and does indeed call to mind glimpses of the open minded acceptance and wonder of a childs mind.There is even one scene towards the end that IS frightening and shows how a childs accepting attitude can sometimes put them in harm's way. This scene, however, turns its attention to the enchantment that the rest of the movie shares. Simone Simon is also flawless and equally mysterious, alluring and sympathetic at the same time. Some of the images in this film will stay with you. A must see.
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