This mostly unrelated sequel to Cat People (1942) has Amy, the young daughter of Oliver and Alice Reed. Amy is a very imaginative child who has trouble differentiating fantasy from reality,... See full summary »
At midnight on Walpurgis Night, an English clerk, Renfield, arrives at Count Dracula's castle in the Carpathian Mountains. After signing papers to take over a ruined abbey near London, ... See full summary »
Enrique Tovar Ávalos
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom ... See full summary »
A number of swamp land men have died by strangulation and the inhabitants believe that an innocent man they hanged is seeking revenge on all of the male descendants of those responsible for... See full summary »
Rosemary La Planche,
This mostly unrelated sequel to Cat People (1942) has Amy, the young daughter of Oliver and Alice Reed. Amy is a very imaginative child who has trouble differentiating fantasy from reality, and has no friends her own age as a result. She makes an imaginary friend though, her father's dead first wife Irena. At about the same time, she befriends Julia Farren, an aging reclusive actress who is alienated from her own daughter Barbara. Written by
Ken Yousten <email@example.com>
One of my all time favorite films which captures the innocence and free imagination of youth set against the pragmatism of adulthood(as portrayed by the young girl and her father respectively). Only the little girls schoolteacher is supportive of the girls rich imagination, as even the old woman she befriends is caught up in irrational personal demons that have none of the simple beauty and longing that the girl carries in her soul. The direction, by the great director Robert Wise and Gunther Von Fritsch is perfect, the musical score haunting and expressive of the girl's altering state of mind and the screenplay by Dewitt Bodeen, gentle, observed and haunting. Bodeen also wrote the screenplay for the film The Enchanted Cottage which has a similar feeling about it and also focuses on the power and healing of a rich imagination and love.Enchantment is the perfect word to describe the whole essence of Curse and the magical moments when Simone Simon(as the spirit of the little girls mother) appears to her. These two movies would actually make a perfect double feature. An absolutely captivating film that is enchanting and does indeed call to mind glimpses of the open minded acceptance and wonder of a childs mind.There is even one scene towards the end that IS frightening and shows how a childs accepting attitude can sometimes put them in harm's way. This scene, however, turns its attention to the enchantment that the rest of the movie shares. Simone Simon is also flawless and equally mysterious, alluring and sympathetic at the same time. Some of the images in this film will stay with you. A must see.
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