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The Curse of the Cat People (1944)

Approved | | Drama, Horror | 14 October 1944 (Mexico)
The young, friendless daughter of Oliver and Alice Reed befriends her father's dead first wife and an aging, reclusive actress.

Directors:

(as Gunther V. Fritsch),

Writer:

(screenplay)
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2 nominations. See more awards »
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Cast

Complete credited cast:
...
...
...
Ann Carter ...
Eve March ...
...
Mrs. Julia Farren
...
Barbara Farren
Erford Gage ...
Police Captain
Sir Lancelot ...
Edward
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Storyline

This mostly unrelated sequel to Cat People (1942) has Amy, the young daughter of Oliver and Alice Reed. Amy is a very imaginative child who has trouble differentiating fantasy from reality, and has no friends her own age as a result. She makes an imaginary friend though, her father's dead first wife Irena. At about the same time, she befriends Julia Farren, an aging reclusive actress who is alienated from her own daughter Barbara. Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Add Synopsis

Taglines:

A tender tale of terror! See more »

Genres:

Drama | Horror

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

14 October 1944 (Mexico)  »

Also Known As:

A Maldição da Pantera  »

Box Office

Budget:

$150,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The painting described as Irena's favorite piece of art is a print of 'Don Manuel Osorio' by Goya. See more »

Goofs

The vehicle that passes Amy on the bridge leaves no tracks in the snow next to her. See more »

Quotes

Miss Callahan: Children love to dream things up.
See more »


Soundtracks

Il est né, le divin Enfant
(Traditional French Christmas carol)
Sung by Simone Simon during the Christmas scene.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Lovely and haunting...
26 August 2003 | by (Chicago) – See all my reviews

This film is one of my all time favorites; and I have to admit that I really question the smarts of anyone who can't see the very strong ties this film has to its predecessor.

In fact, the whole film centers around curses of various kinds; however, we're not talking about curses in the gypsy-mumbo-jumbo sense but in the sense of seeming to live under the kind of weight brought on by loneliness, anger, frustration, and, perhaps to a certain point, obsession.

There is so much loveliness in this film that to quibble over semantics really does it a disservice. Open your mind when you watch this one, and let its enchantment do its work.


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