Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
A photographer for Life magazine comes to London to do a story on a local theater troupe which never missed a performance during World War II. Flashbacks also reveal the backstage love ... See full summary »
The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
William A. Seiter
After his wife discovers a telltale diamond bracelet, impresario Martin Cortland tries to show he's not chasing after showgirl Sheila Winthrop. Choreographer Robert Curtis gets caught in ... See full summary »
In the reign of emperor Tiberius, Gallilean prophet John the Baptist preaches against King Herod and Queen Herodias. The latter wants John dead, but Herod fears to harm him due to a ... See full summary »
Leo Gogarty marries Margaud Morgan after a whirlwind romance just before shipping out to war. When he returns he is surprised to discover not only that his bride is not what she led him to ... See full summary »
Gregory La Cava
Rusty Parker, a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle's granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century. Rusty lands on the cover of her grandmother's former fiancé's magazine (as a bride). She is pursued by Coudair's pal, the wealthy theatrical producer, Noel Wheaton. He produces a lavish musical to star Rusty, surrounded by real cover girls of the mid 1940's. Rusty runs down a huge spiral into the arms of dozens of men who seem clumsy next to her ethereal dancing. ... Written by
Jenny Lens <firstname.lastname@example.org>
In the song "Make Way For Tomorrow" they use the term "solid Sender" and mention Gremlins. At the time these made sense. Gremlins were nasty little imaginary beings that caused trouble, especially on airplanes. If something went wrong it was the fault of the gremlins. Also at the time most communications were by short wave radio. If your radio transmission was coming through clearly you were doing great and were a "solid sender" meaning that your signal did not fade nor was it full of static noise. Being a "solid sender" meant that you were doing well. See more »
Genius' early vaudeville monologue establishes that it's a time of war rationing and food shortages. Yet nobody in the film objects to Genius taking part with Danny and Rusty in a publicly known ritual of wasting food by constantly ordering "ursters" to search for "poils" and never eating the oysters. See more »
[indicates Noel Wheaton]
This gentleman has been in the theater a good many years.
Now, you've been in my theater a good many years too. Why don't you be a good boy and scram?
See more »
For a non-MGM musical from the 1940s, this is quite a memorable and enjoyable film. Rita Hayworth, at the peak of her career, is stunning, a vision of loveliness and in full Technicolor, no less! Gene Kelly, in one of his earliest films, is a good match for her, although his character is really something of a jerk. Phil Silvers provides good comic relief, without being too obnoxious, but Eve Arden, with her dry one-liners, is an even bigger hoot.
The music score is quite good for the most part...with only one sour note ("Poor John"). The haunting "Long Ago and Far Away" is beautiful, "Put Me to the Test" is a good number for the two leads, and "Make Way for Tomorrow" is a lively, fun number. Of course, credit must be given to Gene Kelly for his fantastic "alter-ego" dance sequence, which is without a doubt, the highlight of the film.
Definitely worth seeking out for fans of Gene or Rita...this is one of the great 40s musicals. Top stars, sumptuous color, and a pleasing score. Terrific!
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