The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
William A. Seiter
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
Upset about a new Broadway musical's mockery of Greek mythology, the goddess Terpsichore comes down to earth and lands a part in the show. She works her charms on the show's producer and he... See full summary »
After his wife discovers a telltale diamond bracelet, impresario Martin Cortland tries to show he's not chasing after showgirl Sheila Winthrop. Choreographer Robert Curtis gets caught in ... See full summary »
After her banishment from Rome, Jewish Princess Salome returns to her Roman-ruled native land of Galilee where prophet John the Baptist preaches against Salome's parents, King Herod and Queen Herodias.
Rusty Parker, a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle's granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century. Rusty lands on the cover of her grandmother's former fiancé's magazine (as a bride). She is pursued by Coudair's pal, the wealthy theatrical producer, Noel Wheaton. He produces a lavish musical to star Rusty, surrounded by real cover girls of the mid 1940's. Rusty runs down a huge spiral into the arms of dozens of men who seem clumsy next to her ethereal dancing. ... Written by
Jenny Lens <firstname.lastname@example.org>
Several Conover Cover Girl models appear in this film, including highest-paid model at the time, Anita Colby. Harry Conover, founder of one of the top leading model agencies at the time, also served as advisor for the film. The title of the film stems from Harry Conover's original concept and famous trademark "Cover Girl" (condensed from the phrase "Conover Cover Girl"). His model agency was so successful that his models appeared most often on the covers of magazines and advertisements. See more »
Danny dances with the mirror image of himself yet the "image" is not reversed, right to left, as a real image would be. See more »
Beautiful Rita, Kern score and Phil Silvers dancing!!!
Two of these things are to be expected, the third is a complete surprise (that would be Phil Silvers dancing).
This is a delightful, if longer than it needs to be musical. A sub-plot with flashbacks and probably the worst Jerome Kern number ever written (Poor John), do not contribute enough to make them worthwhile. It's as if they wrote the movie, realized they didn't have enough material to produce a full-length picture, and added these other scenes to "fill it out". They don't work.
It's funny to see a 1940's musical with Gene Kelly (on loan from M-G-M)clearly taking a backseat to his leading lady. His second act number where he dances with himself is one highlight of the film. Other strong points are "Make Way For Tomorrow" and the lovely, "Long Ago And Far Away" (although I thought it odd that the latter number did not have a dance sequence attached to it). "Put Me To The Test", a number where Rita and Gene get to dance together, is a very good number, but the title song does nothing for me, although it is staged wonderfully.
Rita Hayworth is absolutely breath-taking. Her dancing is excellent, and this is clearly a role that suits her. Some of her hair pieces, however are awful. In a few scenes, the color of them do not match the color of her natural hair. Very distracting.
Phil Silvers is wonderful as Genius, Gene and Rita's friend and co-worker. Seeing him dance, especially as well as he did, was a wonderful surprise.
The major problem I had with this movie was that I never believed the relationship between the three leads. I didn't believe that Kelly and Hayworth were in love, or that Kelly and Silvers were real friends. Can't quite put my finger on it, but I didn't buy it.
Excellent supporting work by Eve Arden, Otto Kruger, Edward Brophy and Leslie Brooks.
6 out of 10
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