The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
William A. Seiter
Upset about a new Broadway musical's mockery of Greek mythology, the goddess Terpsichore comes down to earth and lands a part in the show. She works her charms on the show's producer and he... See full summary »
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
After his wife discovers a telltale diamond bracelet, impresario Martin Cortland tries to show he's not chasing after showgirl Sheila Winthrop. Choreographer Robert Curtis gets caught in ... See full summary »
In the reign of emperor Tiberius, Gallilean prophet John the Baptist preaches against King Herod and Queen Herodias. The latter wants John dead, but Herod fears to harm him due to a ... See full summary »
At the end of their first date, April and Ben are parting ways when instead of a kiss, Ben goes in for an awkward high-five. In that moment a piece of ultra-sticky gum falls from the sky ... See full summary »
"Wallah - Je te jure" tells the stories of men and women travelling along West African migration routes to Italy. Senegal's rural villages, Niger's bus stations and "ghettos" full of ... See full summary »
Ocean, ice and bitter cold in a seemingly untouched corner of the world. A crew who can only trust each other in the kingdom of polar bears and sudden storms. Until now this has been an ... See full summary »
Gry Elisabeth Mortensen,
Trude Berge Ottersen
Rusty Parker, a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle's granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century. Rusty lands on the cover of her grandmother's former fiancé's magazine (as a bride). She is pursued by Coudair's pal, the wealthy theatrical producer, Noel Wheaton. He produces a lavish musical to star Rusty, surrounded by real cover girls of the mid 1940's. Rusty runs down a huge spiral into the arms of dozens of men who seem clumsy next to her ethereal dancing. ... Written by
Jenny Lens <firstname.lastname@example.org>
Genius' early vaudeville monologue establishes that it's a time of war rationing and food shortages. Yet nobody in the film objects to Genius taking part with Danny and Rusty in a publicly known ritual of wasting food by constantly ordering "ursters" to search for "poils" and never eating the oysters. See more »
Gene Kelly and Rita Hayworth dance up a storm. Phil Silvers puts on his own dancing shoes to jump in with the two leads on occasion and holds his own, more or less. Some of the musical numbers are a lot of fun and one of them shows off what was in 1944 a dazzling bit of technological wizardry. So with all of that why is there the feeling that this movie ultimately disappoints? The problem lies with the story which is rather flimsy, in places scarcely believable, and in the end utterly predictable. Once the movie sets up its plot you can see the ending coming a mile away. There is little to nothing in the way of drama. Along the way the wonderfully talented Kelly and Hayworth can put a smile on your face now and again with their wonderful dancing. If this was a dance exhibition it would be a smashing success. But it's not a dance exhibition, it's a movie. And as a movie Cover Girl is somewhat of a letdown.
Kelly plays Danny McGuire, owner of, and of course dancer at, a small Brooklyn nightclub. Hayworth plays Rusty Parker, the leader of the club's dance troupe. Rusty's the club's star attraction but in this small out-of-the-way setting nobody's star is shining particularly brightly. But thanks to a bit of nonsense involving someone's fascination with Rusty's deceased grandmother Rusty will soon see her star on the rise. She'll have the opportunity to leave shabby Brooklyn behind for the bright lights of Broadway. And if you can't guess where this is headed you obviously haven't seen very many movies.
Along the way there are some stellar song-and-dance numbers. The fact that when you see Hayworth "singing" you know it's not actually her voice you're hearing does detract from the experience a bit. But Kelly and Hayworth do make a great team. As do Kelly and Kelly and yes you read that right and you'll just have to see the film to understand. As the film's third wheel Silvers is the designated funny guy. Unfortunately his over-the-top antics wear thin very quickly. By the end he's so annoying you cringe every time he speaks. Full credit to him though for keeping up with Kelly and Hayworth in a big dance sequence which is a lot of fun and one of the highlights of the film. Unfortunately there are as many lowlights as highlights in the musical department. The songs Rusty's grandma gets to sing in the flashback sequences are real duds for example. Some other songs aren't that bad but are rather forgettable. The film, in all its Technicolor splendor, looks great. Hayworth may never have looked better and she and Kelly are two terrific stars doing some fabulous dance work. But its not enough. Great visuals and great dancing don't necessarily make for a great movie.
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