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Cover Girl (1944)

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Ratings: 7.0/10 from 2,672 users  
Reviews: 49 user | 29 critic

Rusty Parker wins a contest and becomes a celebrated cover girl; this endangers her romance with dancing mentor Danny.

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(screenplay), (adaptation), 3 more credits »
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Title: Cover Girl (1944)

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Won 1 Oscar. Another 4 nominations. See more awards »

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Edit

Cast

Cast overview, first billed only:
...
Rusty Parker / Maribelle Hicks (flashback sequence)
...
Lee Bowman ...
Noel Wheaton
...
Genius
Jinx Falkenburg ...
Jinx Falkenburg
Leslie Brooks ...
Maurine Martin
...
Cornelia Jackson
...
John Coudair
Jess Barker ...
Coudair as a Young Man
Anita Colby ...
Miss Colby
Curt Bois ...
Chef at Danny McGuire's
Jean Colleran ...
Cover Girl: American Magazine
Francine Counihan ...
Cover Girl: American Home
Helen Mueller ...
Cover Girl: Collier's Magazine
Cecilia Meagher ...
Cover Girl: Coronet
Edit

Storyline

Rusty Parker, a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle's granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century. Rusty lands on the cover of her grandmother's former fiancé's magazine (as a bride). She is pursued by Coudair's pal, the wealthy theatrical producer, Noel Wheaton. He produces a lavish musical to star Rusty, surrounded by real cover girls of the mid 1940's. Rusty runs down a huge spiral into the arms of dozens of men who seem clumsy next to her ethereal dancing. ... Written by Jenny Lens <jennylens@dslextreme.com>

Plot Summary | Plot Synopsis

Plot Keywords:

cover girl | magazine | contest | 1940s | pearl | See more »

Taglines:

A Mirthful, Magical Musical ! See more »


Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

Release Date:

30 March 1944 (USA)  »

Also Known As:

Cover Girl  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Several Conover Cover Girl models appear in this film, including highest-paid model at the time, Anita Colby. Harry Conover, founder of one of the top leading model agencies at the time, also served as advisor for the film. The title of the film stems from Harry Conover's original concept and famous trademark "Cover Girl" (condensed from the phrase "Conover Cover Girl"). His model agency was so successful that his models appeared most often on the covers of magazines and advertisements. See more »

Goofs

Danny (Gene Kelly) dances with the mirror image of himself yet the "image" is not reversed, right to left, as a real image would be. See more »

Quotes

Genius: You probably know what you're doin', Mr. Coudair. But that was a pretty swell thing those kids had. Certainly glad I'm not the one that broke it up, I couldn't sleep nights.
See more »

Connections

Featured in Sex at 24 Frames Per Second (2003) See more »

Soundtracks

SURE THING
Music by Jerome Kern
Lyrics by Ira Gershwin
Performed by Rita Hayworth (dubbed by Martha Mears)
See more »

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User Reviews

 
Kelly dazzles, Arden charms, Hayworth needs a little spark...
27 August 2002 | by (United Kingdom) – See all my reviews

Rita Hayworth as Rusty Parker is the COVER GIRL du jour--she's one of the dancing girls in Danny McGuire's club, the most special one according to Danny (Gene Kelly) and pretty much anyone who comes across her. Take for example, Vanity magazine magnate John Coudair (Otto Kruger): enchanted by Rusty's resemblance to her grandmother Maribelle (also played by Hayworth in flashbacks), whom he wooed devotedly when he fell in love with her, he tries to relive his youth by fixing what he thinks went wrong between himself and Maribelle. He doesn't believe that Danny could give Rusty happiness, or everything she should be entitled to--he even gets Danny believing this himself. When Rusty shoots to fame as Vanity's 'Cover Girl', Danny drives her away into the ready and waiting arms of Noel Wheaton (Lee Bowman). So what happens when Danny returns to town with his sidekick Genius (Phil Silvers) in tow, only to discover that Rusty is marrying Wheaton?

As a musical, COVER GIRL benefits from the beautiful score and songs written by Jerome Kern and Ira Gershwin, including the Oscar-nominated 'Long Ago and Far Away' (possibly one of the most gorgeous ballads ever written and beautifully, sweetly sung as a duet by Hayworth and Kelly), Maribelle's number 'Sure Thing' (the more lacklustre 'Poor John' isn't a Kern/Gershwin collaboration) and 'Put Me To The Test'. The dancing, of course, is top-notch, since Gene Kelly had more than just a hand in the choreography. It shows in the simplest of dances, for example his dance with Hayworth to 'Put Me To The Test', or the joyfully exuberant 'Make Way For Tomorrow' number (performed by the trio of Danny, Rusty and Genius)... which foreshadows the reaction Gene's character has to the police cop in the title number in SINGIN' IN THE RAIN. Kelly especially scored a technological and artistic coup with the 'Alter-Ego' dance. Like its successors in ANCHORS AWEIGH and AN AMERICAN IN PARIS (Jerry the Mouse and the 16-minute ballet respectively), this dance is an example of the incredible innovation and creativity Kelly brought to the modern film musical: wanting to use the film medium to present dances that couldn't be showcased on a stage, and years before CGI, Kelly insisted on dancing with the one person who could possibly match him in talent and style--himself. The number is hardly five minutes long, but it (and Kelly's genius) still takes one's breath away, even sixty years down the line. This is the reason I watched COVER GIRL, and if nothing else, this dance is truly worth it.

You can tell that a great deal of money was lavished onto COVER GIRL and Rita Hayworth--not that she doesn't deserve it. Witness the scene when Rusty hits Broadway--the large screen showcasing all the different cover girls gives way to a staggeringly large stage rigged for Rusty's entrance. Hayworth is indeed one of the most effortlessly beautiful girls on show in the film, and she dances with a style and grace that is almost worthy of Kelly. (Very few of Kelly's co-stars have that honour.) She is hilarious in some scenes, for example her drunk scene when John and Wheaton come to get her from Joe's.

For some reason, however, her performance still lacks the spark of greatness which would help COVER GIRL overcome its general curse of mediocrity. That curse is only lifted whenever Gene Kelly is on the screen (dancing or no), or when Eve Arden as John's long-suffering secretary 'Stonewall' sidles by with another cutting comment or clever observation. Since the film, in the end, belongs to Hayworth, neither Kelly nor Arden can save it as a whole. This isn't to say that the film is bad--it isn't. It's enjoyable, with great songs and cute numbers and lots of pretty girls to look at. But it's just not quite a classic. The dancing is classic though--so watch COVER GIRL for that, and you won't regret it.


16 of 23 people found this review helpful.  Was this review helpful to you?

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