Cover Girl (1944)

Not Rated  |   |  Comedy, Musical, Romance  |  30 March 1944 (USA)
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Ratings: 6.9/10 from 3,205 users  
Reviews: 51 user | 29 critic

Rusty Parker wins a contest and becomes a celebrated cover girl; this endangers her romance with dancing mentor Danny.



(screenplay), (adaptation), 3 more credits »
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Won 1 Oscar. Another 4 nominations. See more awards »



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Cast overview, first billed only:
Rusty Parker / Maribelle Hicks
Noel Wheaton
Jinx Falkenburg
Maurine Martin
Cornelia Jackson
John Coudair
Jess Barker ...
Coudair as a Young Man
Anita Colby ...
Miss Colby
Curt Bois ...
Chef at Danny McGuire's
Jean Colleran ...
Cover Girl: American Magazine
Francine Counihan ...
Cover Girl: American Home
Helen Mueller ...
Cover Girl: Collier's Magazine
Cecilia Meagher ...
Cover Girl: Coronet


Rusty Parker, a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle's granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century. Rusty lands on the cover of her grandmother's former fiancé's magazine (as a bride). She is pursued by Coudair's pal, the wealthy theatrical producer, Noel Wheaton. He produces a lavish musical to star Rusty, surrounded by real cover girls of the mid 1940's. Rusty runs down a huge spiral into the arms of dozens of men who seem clumsy next to her ethereal dancing. ... Written by Jenny Lens <>

Plot Summary | Plot Synopsis


A Mirthful, Magical Musical ! See more »


Not Rated | See all certifications »




Release Date:

30 March 1944 (USA)  »

Also Known As:

Las modelos  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Mirrophonic Recording)



Aspect Ratio:

1.37 : 1
See  »

Did You Know?


In order to acquire the services of Gene Kelly for this picture, Columbia had to surrender its screen rights to the musical hit Best Foot Forward (1943) to MGM. See more »


Just before Danny and Rusty talk for the first time about her being a cover girl Genius is called on stage to do his "Who's Complaining?" number yet the music playing in the background is "Long Ago and Far Away." Also Rusty isn't in her cab driver costume. See more »


Genius: You know something? I love him too.
Danny McGuire: Yeah?
Genius: You know why?
Danny McGuire: Why?
Genius: Because he's dumber than me.
Danny McGuire: Dumber than I.
Genius: Okay. Then he's dumber than the both of us.
[Danny winces]
See more »


Featured in Ike: Countdown to D-Day (2004) See more »


Music by Jerome Kern
Lyrics by Ira Gershwin
Sung by chorus; danced by Rita Hayworth with chorus
See more »

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User Reviews

Kelly dazzles, Arden charms, Hayworth needs a little spark...
27 August 2002 | by (United Kingdom) – See all my reviews

Rita Hayworth as Rusty Parker is the COVER GIRL du jour--she's one of the dancing girls in Danny McGuire's club, the most special one according to Danny (Gene Kelly) and pretty much anyone who comes across her. Take for example, Vanity magazine magnate John Coudair (Otto Kruger): enchanted by Rusty's resemblance to her grandmother Maribelle (also played by Hayworth in flashbacks), whom he wooed devotedly when he fell in love with her, he tries to relive his youth by fixing what he thinks went wrong between himself and Maribelle. He doesn't believe that Danny could give Rusty happiness, or everything she should be entitled to--he even gets Danny believing this himself. When Rusty shoots to fame as Vanity's 'Cover Girl', Danny drives her away into the ready and waiting arms of Noel Wheaton (Lee Bowman). So what happens when Danny returns to town with his sidekick Genius (Phil Silvers) in tow, only to discover that Rusty is marrying Wheaton?

As a musical, COVER GIRL benefits from the beautiful score and songs written by Jerome Kern and Ira Gershwin, including the Oscar-nominated 'Long Ago and Far Away' (possibly one of the most gorgeous ballads ever written and beautifully, sweetly sung as a duet by Hayworth and Kelly), Maribelle's number 'Sure Thing' (the more lacklustre 'Poor John' isn't a Kern/Gershwin collaboration) and 'Put Me To The Test'. The dancing, of course, is top-notch, since Gene Kelly had more than just a hand in the choreography. It shows in the simplest of dances, for example his dance with Hayworth to 'Put Me To The Test', or the joyfully exuberant 'Make Way For Tomorrow' number (performed by the trio of Danny, Rusty and Genius)... which foreshadows the reaction Gene's character has to the police cop in the title number in SINGIN' IN THE RAIN. Kelly especially scored a technological and artistic coup with the 'Alter-Ego' dance. Like its successors in ANCHORS AWEIGH and AN AMERICAN IN PARIS (Jerry the Mouse and the 16-minute ballet respectively), this dance is an example of the incredible innovation and creativity Kelly brought to the modern film musical: wanting to use the film medium to present dances that couldn't be showcased on a stage, and years before CGI, Kelly insisted on dancing with the one person who could possibly match him in talent and style--himself. The number is hardly five minutes long, but it (and Kelly's genius) still takes one's breath away, even sixty years down the line. This is the reason I watched COVER GIRL, and if nothing else, this dance is truly worth it.

You can tell that a great deal of money was lavished onto COVER GIRL and Rita Hayworth--not that she doesn't deserve it. Witness the scene when Rusty hits Broadway--the large screen showcasing all the different cover girls gives way to a staggeringly large stage rigged for Rusty's entrance. Hayworth is indeed one of the most effortlessly beautiful girls on show in the film, and she dances with a style and grace that is almost worthy of Kelly. (Very few of Kelly's co-stars have that honour.) She is hilarious in some scenes, for example her drunk scene when John and Wheaton come to get her from Joe's.

For some reason, however, her performance still lacks the spark of greatness which would help COVER GIRL overcome its general curse of mediocrity. That curse is only lifted whenever Gene Kelly is on the screen (dancing or no), or when Eve Arden as John's long-suffering secretary 'Stonewall' sidles by with another cutting comment or clever observation. Since the film, in the end, belongs to Hayworth, neither Kelly nor Arden can save it as a whole. This isn't to say that the film is bad--it isn't. It's enjoyable, with great songs and cute numbers and lots of pretty girls to look at. But it's just not quite a classic. The dancing is classic though--so watch COVER GIRL for that, and you won't regret it.

20 of 29 people found this review helpful.  Was this review helpful to you?

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