A demented physician becomes obsessed with a young singer whose voice sounds similar to his late mistress.

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Cast

Complete credited cast:
...
Susanna Foster ...
...
...
...
...
Marcellina
George Dolenz ...
Amato Roselli
Ludwig Stössel ...
Carl Baumann
Jane Farrar ...
Jarmila Vadek
Ernö Verebes ...
Brunn (as Erno Verebes)
Lotte Stein ...
Mama Hinzl
Scotty Beckett ...
The King
William Edmunds ...
Leon - theater concierge
Maxwell Hayes ...
Count Romburg - King's aide
Dorothy Lawrence ...
Miss Metzger
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Storyline

Dr. Hohner (Karloff), theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer (Foster) reminds Hohner of the late diva, and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever. The singer's fiancée (Bey) rushes to save her in the film's climax. Written by Stephen Cooke <am082@ccn.cs.dal.ca>

Plot Summary | Add Synopsis

Taglines:

The screen's classic of suspense! See more »


Certificate:

Unrated | See all certifications »
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Details

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Language:

Release Date:

20 October 1944 (USA)  »

Also Known As:

Climax  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Although he had been appearing in motion pictures for 25 years, this 1944 release was Boris Karloff's first film in color. See more »

Goofs

In the rehearsal sequence in which Angela loses her voice at the sight of Dr. Hohner, she closes her mouth a split second before the playback of her voice stops. See more »

Quotes

Dr. Hohner: You don't want to ruin that voice, do you? It isn't yours, remember? Now tell me, whose voice is it?... Tell me!
Angela: Marcellina's!
See more »

Connections

Featured in 100 Years of Horror: Boris Karloff (1996) See more »

Soundtracks

Three Marches Militaires
(opus 51)
Composed by Franz Schubert
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User Reviews

 
I actually liked it...
26 December 2011 | by (United States) – See all my reviews

I understand that "The Climax" isn't necessarily a well received" movie among Boris Karloff fans. The plot isn't much, i'll admit that, and some of the musical number "particularly the one in which Jane Farrar was the prima donna) were quite painful. But Susanna Foster's voice saves the day. This movies is no "Phantom of the Opera", but it was fun to watch. The Technicolor was magnificent, and the set design was gorgeous. Turhan Bey was an alright leading man for Foster. But he didn't seem "strong" enough, I suppose. Boris Karloff is fantastic as a menacing figure, hovering over Foster in an aura of mystery and horror. The film isn't scary enough to be considered a horror film, but too ominous to be considered a musical. There isn't a real genre for it. But it's enjoyable to watch and I liked it. I'm a big Susanna Foster fan, so it was joy to hear her sing, and I'm becoming a Boris Karloff fan, after seeing "Frankenstein" and "The Climax".

So, all in all, "The Climax" is good enough, but it could be better.


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