In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ... See full summary »
Rowland V. Lee
An artist (Lon Chaney Jr) is blinded by a jealous assistant/model. His fiance's father generously offers his eyes for a sight restoring operation. there's only one hitch. Chaney has to wait... See full summary »
Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
Noble-born cad Denis (Stapley) has been tricked into a forced stay at the eerie manor of the Sire de Maletroit (Laughton), an evil madman who can't get over the death of his beloved, twenty... See full summary »
Dr. Hohner (Karloff), theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer (Foster) reminds Hohner of the late diva, and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever. The singer's fiancée (Bey) rushes to save her in the film's climax. Written by
Stephen Cooke <firstname.lastname@example.org>
This film was shot on the lavish sets created for Phantom of the Opera (1943) in an attempt to recoup the large budget of that film. The opera house set had been built for the original The Phantom of the Opera (1925) starring Lon Chaney, and this extraordinary set still exists on the Universal Studios lot. It is the oldest surviving movie set in the world. See more »
In the rehearsal sequence in which Angela loses her voice at the sight of Dr. Hohner, she closes her mouth a split second before the playback of her voice stops. See more »
[after strangling Marcellina]
We'll always be together now. Your voice will never come between us again.
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I understand that "The Climax" isn't necessarily a well received" movie among Boris Karloff fans. The plot isn't much, i'll admit that, and some of the musical number "particularly the one in which Jane Farrar was the prima donna) were quite painful. But Susanna Foster's voice saves the day. This movies is no "Phantom of the Opera", but it was fun to watch. The Technicolor was magnificent, and the set design was gorgeous. Turhan Bey was an alright leading man for Foster. But he didn't seem "strong" enough, I suppose. Boris Karloff is fantastic as a menacing figure, hovering over Foster in an aura of mystery and horror. The film isn't scary enough to be considered a horror film, but too ominous to be considered a musical. There isn't a real genre for it. But it's enjoyable to watch and I liked it. I'm a big Susanna Foster fan, so it was joy to hear her sing, and I'm becoming a Boris Karloff fan, after seeing "Frankenstein" and "The Climax".
So, all in all, "The Climax" is good enough, but it could be better.
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