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Dr. Hohner (Karloff), theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer (Foster) reminds Hohner of the late diva, and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever. The singer's fiancée (Bey) rushes to save her in the film's climax. Written by
Stephen Cooke <email@example.com>
This is a psychological horror film with very little horror, owing a great deal to PHANTOM OF THE OPERA. Karloff plays a mad doctor on the loose within an opera house but he is not as sinister as we would hope. Gale Sondergaard does well as the watchful housekeeper, but it is the state of the art Technicolor that is the real star here. It is impeccable. The Art Direction earned a deserved Oscar nom but the costumes also are deserving, though the category did not exist at the time the film was released. The excellent Score as well deserved Academy recognition but did not receive it. Enjoyable more for the visual splendor than anything else.
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