An Egyptian high priest travels to America to reclaim the bodies of ancient Egyptian princess Ananka and her living guardian mummy Kharis. Learning that Ananka^Òs spirit has been ... See full summary »
Reginald Le Borg
Lon Chaney Jr.,
Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
Dr. Bernard Adrian is a kindly mad scientist who seeks to cure a young woman's polio. He needs spinal fluid from a human to complete the formula for his experimental serum. Meanwhile, a ... See full summary »
Dr. Hohner (Karloff), theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer (Foster) reminds Hohner of the late diva, and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever. The singer's fiancée (Bey) rushes to save her in the film's climax. Written by
Stephen Cooke <firstname.lastname@example.org>
From the opening music to the final scene, this has got to be one of the most beautiful horror films ever made. Unfortunately, as I said before, technicolor can't do everything for a film. While it is visually stunning in every way, it lacks a credible storyline, and that is what drags the film down. I guess one shouldn't call it a horror film, rather it might a psychological type film, as there is only one murder( and a rather mild one at that). I thought that the opera singing was a bit too much, but what did I expect when the film is about an opera singer!! But I found it to be just like "The Shadow", they are beautiful to look at, but there isn't anything else for the film to succeed.
9 of 13 people found this review helpful.
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