Because Charlie Chan plans to return to Honolulu, he no longer needs the services of Birmingham, who gets a job as butler for William and Justine Bonner, two apparently phony psychics who regularly host occult activities in their home. When Charlie's pretty daughter Frances attends a séance out of curiosity, Mr. Bonner is shot, and she becomes an immediate suspect. Charlie postpones his trip home to help with the investigation, which is made problematic when no bullet can be found in the wound and a hypnotized Mrs. Bonner is compelled to commit suicide by jumping off the roof of a downtown building. Written by
Gabe Taverney (email@example.com)
The title card on the DVD, which comes from the original negative, bears the original title, "Black Magic", but revisionists have superimposed "original title: 'Meeting at Midnight'" across the bottom of the screen. They've got it backwards. "Meeting at Midnight" was the new title attached to the film, about five years after its original release, in order to avoid confusion with Orson Welles' Black Magic (1949). See more »
When Charlie first declares himself psychic to Sgt. Matthews, we can see the pole held by a stagehand that makes a white handkerchief flutter over Charlie's head. See more »
You know, after being here, I could have an elegant time in a cemetary reading tombstones at midnight.
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Charlie Chan in Black Magic combines some decent suspense with average characters. The movie apparently is lower budget and doesn't stand up as well against Charlie Chan at Treasure Island and Charlie Chan's Secret, the other Chan movies with seances. The Monogram Chans are pretty much built around Charlie and his skills while the rest of the action often deteriorates into comedy. The great settings of the earlier Chans are greatly missed. Charlie Chan in Black Magic does have some nice elements and the missing bullet theory is pretty clever. The plot isn't as dull as other Monogram Chans even though the characters are pretty standard and forgettable. The acting is wooden in spots, especially Frances Chan as (drum roll) Frances Chan. She's great to look at and a nice change of pace from the bumbling Chan sons but her acting isn't the best. Mantan Moreland does his standard coward routine as the Jar Jar Binks of Chan movies. He's a funny guy given shameful material. The atmosphere isn't as good as other Chans but is passable, as is the rest of the movie even though the seance idea has been done and the movie is pretty forgettable.
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