Champagne Charlie (1944)The story of a 19th century English music hall (vaudeville) performer and life behind the scenes. Director:Alberto Cavalcanti |
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Champagne Charlie (1944)The story of a 19th century English music hall (vaudeville) performer and life behind the scenes. Director:Alberto Cavalcanti |
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| Cast overview, first billed only: | |||
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Tommy Trinder | ... |
George Leybourne, alias Champagne Charlie
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| Stanley Holloway | ... |
The Great Vance
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Betty Warren | ... |
Bessie Bellwood
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Jean Kent | ... |
Dolly Bellwood
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Austin Trevor | ... |
The Duke
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Peter De Greef | ... |
Lord Petersfield, son of the Duke
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Leslie Clarke | ... |
Fred Saunders
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Eddie Phillips | ... |
Tom Sayers
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Robert Wyndham | ... |
Duckworth
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Guy Middleton | ... |
Patron
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Drusilla Wills | ... |
Bessie's dresser
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Frederick Piper | ... |
Learoyd
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Andreas Malandrinos | ... |
Gatti
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Paul Bonifas | ... |
Targetino
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Joan Carol | ... |
Cora
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With London of the 1860s and the gas-lit music halls providing the locale, most of the first half of the film is taken up with either Tommy Trinder or Stanley Holloway singing songs. The plot concerns a feud between two music halls and, then, their joint efforts to keep from being closed by municipal authorities. Supporting the two singing stars are Betty Warren, owner of one of the music halls; her daughter, June Kent, who is in love with a nobleman, and Harry Fowler as a backstage assistant. Written by Les Adams <longhorn1939@suddenlink.net>
This is based on the life of music hall star George Laybourne, tracking his rise from singing in pubs to becoming one of the top entertainers of his day. Although the competition over who had the better drinking song between Laybourne and rival The Great Vance (Stanley Holloway, obviously thoroughly relishing the role) did supposedly take place, the film isn't overly accurate historically and does skim over detail somewhat. On the positive side, this does make room for more songs and the film packs in plenty with the numbers being infectiously catchy and marvellously well delivered. Sadly, this seems to be a somewhat forgotten Ealing film, which is a shame as it gives excellent insight into a decidedly odd, but enjoyable looking form of particularly British entertainment now consigned to history.