Band Leader Kay Kyser wants to take a holiday, but his publicist Charlotte has promised that he'll give a concert for defense plant workers. Due to the fact that his vocalist has quit to ...
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Band Leader Kay Kyser wants to take a holiday, but his publicist Charlotte has promised that he'll give a concert for defense plant workers. Due to the fact that his vocalist has quit to get married, the plant owner's daughter Julie sings instead. But Kay dislikes her idea of joining the band. Written by
Stephan Eichenberg <email@example.com>
In the film's plot, Georgia Carroll (playing herself) threatens to leave the Kay Kyser band to marry a servicemember, thereby forcing him to hire a replacement. In real life, after replacing Ginny Simms in Kyser's band, Carroll did indeed get married - to Kay Kyser. See more »
I like neither Kyser's screen persona nor his bland style of swing, so wouldn't ever recommend going to a film to see him. But he sometimes had a talent for pepping up his films with good specialty acts.
The show-stopper in this film is the "Mr. Beebe" number, featuring Harold Nicholas (without brother Fayard), supported by a number of other top black singers and dancers including The Four Step Brothers, Marie Bryant, June Richmond, and others I can't identify. Kyser's band with Ann Miller singing briefly introduce the number, then leave the set - typical for the era, the scene was clearly designed so that the black performers could be edited out when the film was shown in the south.
The disappointment is that all that talent, including Ann Miller, is given very little footage to show their stuff. Miller's only tap number is hacked by some dialog. Harold Nicholas is brilliant, but the other singers and dancers in the number only get to do quick cameos.
The Kyser personnel do get to do a couple of other cute numbers. Significantly, these occur informally, when Kyser isn't directing or arranging them.
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