In the 1600s, cowardly Sir Simon of Canterville flees a duel and seeks solace in the family castle. His ashamed father seals him in the room where he is hiding and dooms him to life as a ... See full summary »
Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran ... See full summary »
In the 1600s, cowardly Sir Simon of Canterville flees a duel and seeks solace in the family castle. His ashamed father seals him in the room where he is hiding and dooms him to life as a ghost until one of his descendants performs a brave deed. Simon believes he may be saved when he meets Cuffy Williams, an American kinsman stationed with a troop of soldiers at the castle in 1943. Will this blood relative save the family honor, or will his blood be as yellow as the rest of the Cantervilles? Written by
Daniel Bubbeo <firstname.lastname@example.org>
An excellent comedy with heart tugging dramatic moments.
This review is somewhat biased, as I am an avid Robert Young fan, and have yet to see him in a less than stellar performance. Margaret O'Brien is also splendid, and it is hard to believe so much talent projects out of a six year old girl. Charles Laughton is memorable in his fine delivery of both pathos and comedic skills.
A highlight of the film for me is the music played by the G.I.s. at a local party. Music is classic 40's 8 to the bar, visually punctuated with awesome jitterbugging by the soldiers. A proper female British spectator comments to an incredulous priest, "I believe they call it woogie boogie." It is unknown what what the song title or who the recording artists may have been, however credits list original music for the film as provided by George Bassman.
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