A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours... See full summary »
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
Essentially a re-release of Michael Powell's 'The Edge of the World (1937)', but with color 'bookends' in which director and actors revisit the island of Foula forty years later and talk about their experiences.
Alexander Korda's bit for the British war effort shows the world both at peace and on the verge of Nazi domination. Spliced together to form a documentary style film of both newsreel and ... See full summary »
Australian famer Kit Kelly and his new bride Anna are driving through Europe when they help a stranded motorist. They discover he is Antonio, a famous dancer. Upon learning that Anna was a ... See full summary »
Nino Culotta is an Italian immigrant who arrived in Australia with the promise of a job as a journalist on his cousin's magazine, only to find that when he gets there the magazine's folded,... See full summary »
"Die Fledermaus" (The Bat) is the pseudonym adopted by Dr Falke. Floating on the buoyant waltzes of Strauss, this Viennese romp is sure to please. Disguises, tricks and every kind of ... See full summary »
A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours glue on the hair of girls dating soldiers after dark. The three attempt to track him down, and begin to have suspicions of the local magistrate, an eccentric figure with a strange, mystical vision of the history of England in general and Canterbury in particular. Written by
David Levene <D.S.Levene@durham.ac.uk>
Among the various books and pictures seen in Colpepper's sitting room is a photograph of the Shetland Island of Foula, the location of director Michael Powell's first acclaimed feature film The Edge of the World (1937). See more »
Sgt Bob Johnson says that his father states that a crib made out of Lebonon Cedar, which is good enough for Soloman, is good enough for someone from Johnson County. Earlier Sgt. Johnson stated he was from Oregon. There is no Johnson County in Oregon. See more »
A wonderful film, as you might expect, from the cinema's greatest directorial duo. It's unique in mood and pace amongst the many Archers films that I've seen. The others move at a brisk pace, going from one plot element to the next. No harm in that, of course. It works very well for films like One of Our Aircraft Is Missing, I Know Where I'm Going!, A Matter of Life and Death and the others. A Canterbury Tale, on the other hand, stops and smells the roses as it leisurely - and semi-plotlessly - strolls through the English countryside on the trail to Canterbury Cathedral. Three young people, an American G.I. named Bob Johnson (Seargant John Sweet), a British soldier, Peter Gibbs (Dennis Price), and a young woman from London, Alison Smith (Sheila Sim), moving to the countryside for work. The all arrive in the small town of Kent on the same train, and they walk together trying to find the hotel. An assailant pops out of nowhere in the impenetrable dark and throws glue all over Alison's hair. Over the next few days they look for "the Glueman." The film doesn't always work, especially concerning the Glueman subplot, which almost seems like it is the plot for most of the movie. The investigation and solution are the weakest scenes in the film. But there are dozens of gorgeous sequences within the film. I especially love the sequence with the children playing war. The film gets especially good during its extended finale, where the three (actually four) main characters go to Canterbury, and their pilgrimages pay off. The three leads are excellent. The fourth main character, the magistrate of Kent, Thomas Colpeper (Eric Portman), is the weakest and I'd just rather forget his role in the film myself. Perhaps he will work better in subsequent viewings. The best aspect of the film is its top shelf cinematography, maybe the best black and white that I've seen from the Archers. A lot of the scenes take place, ingeniously, in total darkness. These work so much better than imaginable! 9/10.
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