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Candlelight in Algeria (1944)

An American sculptress in wartime Britain gets mixed up with a British agent and a Nazi spy who knows that a top-secret meeting of Allied military leaders will be taking place in Algeria--... See full summary »

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Cast

Cast overview, first billed only:
...
Carla Lehmann ...
Raymond Lovell ...
Von Alven
Enid Stamp-Taylor ...
Maritza (as Enid Stamp Taylor)
...
Pamela Stirling ...
Yvette
Lea Seidl ...
Sister
Sybille Binder ...
Woman (as Sybilla Binder)
Hella Kürty ...
Maid (as Hella Kurty)
Paul Bonifas ...
French Proprietor
...
Henri de Lange
Harold Berens ...
Toni
Cot D'Ordan ...
Hotel Manager
Richard George ...
Capt. Matthews
Meinhart Maur ...
Schultz
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Storyline

An American sculptress in wartime Britain gets mixed up with a British agent and a Nazi spy who knows that a top-secret meeting of Allied military leaders will be taking place in Algeria--and that the British agent has a camera that has photographs of the meeting place. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Genres:

Drama | War

Certificate:

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Details

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Language:

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Release Date:

30 July 1944 (USA)  »

Also Known As:

La espía de Argel  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(archive footage)|

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film bears a copyright statement of MCMXIII (1913), which, of course, a typographical error; it should should be MCMXLIII (1943). See more »

Goofs

This is a British film set in Algeria during war time. It is highly unlikely that two right hand drive cars would have been used, one owned by Dr Muller and stolen by Susan Foster and Alan Thurston and the chasing car belonging to the German Armistice Commission. See more »

Crazy Credits

Opening credits prologue: Our story takes place in Algeria during the uneasy period before the Allied Invasion of North Africa. Algiers - the headquarters of the German Armistice Commission - was under the control of the Vichy Government. Britain was fighting for her empire in the sands of Libya, and America, still friendly with Vichy, was preparing her first land campaign of the war in the west. It is a story - not of war but of adventure - of a secret meeting which paved the way for a great Allied victory.

VICTORY TUNISIA 1943 See more »

Soundtracks

Rule Britannia
(uncredited)
Music by Thomas Augustine Arne
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User Reviews

 
Well-Directed Noir Thriller; James Mason and Carla Lehman are Standouts
30 November 2007 | by (United States) – See all my reviews

"Candlelight in Algeria" is, by my standards, a superior noir adventure which concerns a secret conference being held, despite danger, in Algeria during WWII. The protagonist is an American girl from Kansas--a reference to Dorothy's line in the"Wizard of Oz" (1939) "I guess we're not in Kansas any more." She is staying with relatives and falls in with a spy, ably played by the powerful James Mason. The body of this brilliantly suspenseful film then falls into important episodes, involving a dangerous theft, misunderstandings, a major confrontation with the Nazi's chief investigator, and a thrilling flight leading to the final action--one in which Mason risks his life to divert the Nazis and their coerced French partners from disrupting the conference. The film is told in an envelope flashback by the heroine, Lehman, in a hospital, wondering whether Mason is alive or dead. George King directed most skillfully, from a script by Dorothy Hope, John Clements, Katharine Strueby and Brock Williams. The film was produced by John Stafford with original music by Roy Douglas and James Turner and award- level cinematography by Otto Heller. The fine art direction was done by Norman G. Arnold. In the above-average cast, Carla Lehman was charismatic and intelligent as the American girl, and James Mason more than excellent as the solider-spy who enlists her before falling in love with her. Walter Rilla plays a most intelligent spy master, Dr, Muller; Raymond Lovell and Enid Stamp-Taylor are used for comedy. Offbeat Pamela Stirling as Yvette and the rest of the cast are all more than adequate. A classic chase and hiding out in the Casbah is given touches of humor, without ever losing its interesting edge as it pits suave Brit Mason against brave but naive neo-puritan USer, Lehman. Look for the interrogation scenes, the Algiers' hideout scenes and the climactic, intelligent chase sequence, among others. This is a film worth watching many times, and for many values, I suggest. It was often imitated afterward but seldom equaled.


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