Broadway producer Johnny Demming courts big-name talent for his upcoming musical show, oblivious to the talent all around him, in his family and friends. When Johnny finally lands Hollywood...
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Mickey, Donald, and Goofy are cleaning a large clock. Among the complications: Mickey fights a sleeping stork that doesn't want to leave, Donald gets tangled up in the main-spring, and Goofy is inside the bell when the clock strikes four.
Mickey has been reading Lewis Carroll's "Through the Looking-Glass, and What Alice Found There", and falls asleep. He finds himself on the other side of the mirror, where the furniture is ... See full summary »
Broadway producer Johnny Demming courts big-name talent for his upcoming musical show, oblivious to the talent all around him, in his family and friends. When Johnny finally lands Hollywood star Helen Hoyt for his cast, Helen herself tries opening Johnny's eyes to the talents of his dad and sister. But Johnny remains adamant. Will his family and friends launch their own show, in competition with Johnny's? Written by
Dan Navarro <email@example.com>
Arthur Freed bought the rights to the Broadway musical "Very Warm For May", music by Jerome Kern and book and lyrics by Oscar Hammerstein II, as the starting point for the film, originally meant as a vehicle for Judy Garland. In typical Hollywood manner, by the time they were done all the original songs except "All the Things You Are" had been dropped, replaced by material from other writers and the project had been handed over to Jack Cummings. Three of the original songs were sung, fragmentarily, by George Murphy sitting at a piano waiting for Ginny Simms to come out. The name of the original play is also mentioned in passing in one of the scenes. See more »
Impressionist Dean Murphy, impersonating Joe E. Brown, is in a barnyard sketch with Nancy Walker. His armpit sweat varies from shot to shot - very wet, a couple smalls spots, dry and wet again. See more »
What's not to like about this film of the early musical genre? Although it lacks any very big star names for the time, it's a fun and entertaining variety show put on film. I'll give something more on that genre later. There are a lot of acts with a lot of talent all very good. As most musicals of its genre to that time, it doesn't have much of a plot. And, it apparently underwent considerable changes in the original plans and casting. The hit songs are repeats from 1943 or earlier. But, I decided to chance it for two reasons. First, all the usual musicals of the early genre were of the stage revue type. They usually were very entertaining, and they often had performers that one may not have seen before. Second, the film has Tommy Dorsey and his orchestra.
I will always try a movie that has any of the big name swing bands in it. I grew up with that music in the 1940s and 50s, before rock 'n roll; and the swing era had so many super talented musicians and bands that it showcased. Since it made the vocalists so popular, we've not had another time (other than classical or pops concerts) in which the music makers have been in the spotlight. And yet, swing era music lives on more than any other genre as background and theme music in movies.
So, the cast in this one is quite good and all the technical aspects of the show are fine. Tommy Dorsey has a decent role with some good lines beside his playing and leading his band. I think he's one of the better of the band leaders at acting too. Lena Horne has two dazzling numbers in "Brazilian Boogie Woogie," and "Somebody Loves Me." Ginny Simms sings three romantic songs: "Amour, Amour," "Irresistible You," and "All the Things You Are." Gloria DeHaven has a couple of nice songs and dances. Walter B. Long is one of those unknowns who only appeared in two films but here he does some dazzling dancing. Another person I might not have heard play was Hazel Scott, an outstanding classical and jazz pianist, born in Trinidad. She really makes the piano sing and dance in this movie. A number of other people sing and dance their way through this film with lots of fun. Of course, that includes George Murphy in the lead as Broadway producer Johnny Demming, and his pop, Sam, played by old-hand actor and terrific performer Charles Winninger. One other act in this film was very interesting and entertaining again something one would only see in a stage revue or show like this. The Ross sisters Aggie, Elmira and Maggie, do a nice song and dance number I think it's called "Potato Salad" that include some fantastic acrobatics on their part. They all three must have been triple-joined.
The popularity of this type of entertainment didn't wane for decades. But it took to new venues. In the 1950s, singing stars left the big bands that 'discovered' them, and began performing on their own. Some would develop their own bands. They toured the country giving concerts. They would usually include other performers and acts to the give stars a break, if for no other reason. There were crooners like Bing Crosby and Dean Martin, jazz and blues singers like Louis Prima and Lena Horne, pop singers from the swing bands such as Frank Sinatra and Kay Francis, and rock and roll singers such as Elvis Presley and Jerry Lee Lewis. Early television began to sponsor variety shows, and helped discover more talents or propel them into the spotlight and fame, as it did Elvis Presley. Ed Sullivan was the king of the variety and review type show on TV for many years. The Ed Sullivan Show (aka, The Toast of the Town) ran for 23 years from 1948 to 1971. It was the longest running variety show broadcast in history. That was a new venue for the revue type of shows.
I enjoy all types of musicals, and think that the type of entertainment we see in films such as "Broadway Rhythm" just doesn't have a public venue in the 21st century. To see something like this film today, one would have to go to a concert and buy tickets that would cost in the range of $50 to $100 or more. But, here we have it on film, and can watch it in the uncrowded comfort of our homes. I highly recommend "Broadway Rhythm" just for the music and dancing entertainment alone.
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