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Broadway Rhythm (1944)

 |  Family, Music  |  19 January 1944 (USA)
6.0
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Ratings: 6.0/10 from 149 users  
Reviews: 12 user | 6 critic

Broadway producer Johnny Demming courts big-name talent for his upcoming musical show, oblivious to the talent all around him, in his family and friends. When Johnny finally lands Hollywood... See full summary »

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(screenplay), (play), 2 more credits »
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Cast

Cast overview, first billed only:
...
Ginny Simms ...
Charles Winninger ...
Sam Demming
...
Patsy Demming
Nancy Walker ...
Trixie Simpson
Ben Blue ...
Felix Gross
...
Fernway de la Fer
...
Eddie
Hazel Scott ...
Hazel Scott
Kenny Bowers ...
Ray Kent
Aggie Ross ...
Dance Specialty (as The Ross Sisters)
Elmira Ross ...
Dance Specialty (as The Ross Sisters)
Maggie Ross ...
Dance Specialty (as The Ross Sisters)
Dean Murphy ...
Hired man on Farm
Louis Mason ...
Farmer
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Storyline

Broadway producer Johnny Demming courts big-name talent for his upcoming musical show, oblivious to the talent all around him, in his family and friends. When Johnny finally lands Hollywood star Helen Hoyt for his cast, Helen herself tries opening Johnny's eyes to the talents of his dad and sister. But Johnny remains adamant. Will his family and friends launch their own show, in competition with Johnny's? Written by Dan Navarro <daneldorado@yahoo.com>

Plot Summary | Add Synopsis

Taglines:

M-G-M's Terrific Technicolor Topper!

Genres:

Family | Music

Certificate:

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Details

Country:

Language:

Release Date:

19 January 1944 (USA)  »

Also Known As:

The Broadway Melody of 1944  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The song "What Do You Think I Am?" was originally from the musical, Best Foot Forward (1943), and was cut from the film version. See more »

Goofs

Impressionist Dean Murphy, impersonating Joe E. Brown, is in a barnyard sketch with Nancy Walker. His armpit sweat varies from shot to shot - very wet, a couple smalls spots, dry and wet again. See more »

Quotes

Johnny Demming: Here we are - three weeks before the opening and we haven't got a leading lady.
See more »

Connections

References Uncle Tom's Cabin (1927) See more »

Soundtracks

All The Things You Are
Music by Jerome Kern
Lyrics by Oscar Hammerstein II
Sung by Ginny Simms
See more »

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User Reviews

 
Variety fest enjoyable, though be aware the corn grows high
14 January 2003 | by (Los Angeles) – See all my reviews

A pleasing enough entertainment, working primarily as a pageant of various MGM specialty acts - impressionists, contortionists, nightclub acts, tap-dancers, as well as the standard musical theatrical numbers. The film isn't a musical in the traditional sense, as all the musical numbers are in the contest of an actual performance (some done toward the camera). It's much more in the tradition of a 1960s-70s variety TV show.

There is a connecting plot, though only the slimmest possible. For me, the movie dragged whenever it stopped the music for a little story updating. George Murphy doesn't really dance much here - just briefly toward the beginning and end - and he does an OK piano medley in the middle. Ginny Simms isn't much of a screen presence, but has a great voice used to advantage. Close your eyes while she's singing and you won't miss much onscreen, other than the costumes.

The highlights are in the supporting cast; great numbers from Lena Horne, Tommy Dorsey, Hazel Scott, and Nancy Walker (though you really have to wait for hers; she's a bit underused here). Really nice work from Gloria DeHaven and Kenny Bowers in their couple of tunes, as well as Walter Long's tap-dancing. The singing-contortionist Ross Sisters are something to see, but the impressionist got on my nerves after a while. (Some of his subjects will not register with viewers unfamiliar with the era; there's a couple of topical jokes elsewhere in the film also.)

And Charles Winninger is a pleasure to watch in a diversion for him; I've rarely seen him in musical roles.

In short, worth seeing for most of the musical segments; the rest is unremarkable.

7 of 10


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