Broadway producer Johnny Demming courts big-name talent for his upcoming musical show, oblivious to the talent all around him, in his family and friends. When Johnny finally lands Hollywood... See full summary »
Broadway producer Johnny Demming courts big-name talent for his upcoming musical show, oblivious to the talent all around him, in his family and friends. When Johnny finally lands Hollywood star Helen Hoyt for his cast, Helen herself tries opening Johnny's eyes to the talents of his dad and sister. But Johnny remains adamant. Will his family and friends launch their own show, in competition with Johnny's? Written by
Dan Navarro <firstname.lastname@example.org>
Arthur Freed bought the rights to the Broadway musical "Very Warm For May", music by Jerome Kern and book and lyrics by Oscar Hammerstein II, as the starting point for the film, originally meant as a vehicle for Judy Garland. In typical Hollywood manner, by the time they were done all the original songs except "All the Things You Are" had been dropped, replaced by material from other writers and the project had been handed over to Jack Cummings. Three of the original songs were sung, fragmentarily, by George Murphy sitting at a piano waiting for Ginny Simms to come out. The name of the original play is also mentioned in passing in one of the scenes. See more »
Impressionist Dean Murphy, impersonating Joe E. Brown, is in a barnyard sketch with Nancy Walker. His armpit sweat varies from shot to shot - very wet, a couple smalls spots, dry and wet again. See more »
I've always enjoyed this movie and consider it one of the better musicals of the 1940's. There has been quite a bit of interest in the Ross Sisters as they have popped up all over the internet due to their performance in Broadway Rhythm. They were billed as Aggie, Maggie, and Elmira but their real names were Vicki, Dixie, and Betsy. They hailed from Colorado City, Texas and were daughters of dirt farmers during the dust bowl days. They trained on their own and began working theaters and fairs in the Midwest. Pooling their money, they bought a trailer and moved to New Jersey to a trailer park about a mile from the George Washington bridge on Route 6. They earned minor roles in a George Kaufman play, Count Me In, and went on to Broadway Rhythm then Pickadilly Hayride at the Prince of Wales Theater in London. They were summoned before the King and Queen for a command performance on Nov. 4, 1946.
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