The hunchback Et L'Autre Dame.
28 April 2015
This is the third of the five versions of Paul Féval's swashbuckler: a
silent one in the twenties,a first talkie in the thirties ,this
one,then André Hunebelle's in 1959 and Philippe De Broca's in 1997.
It was 1944 and like so many movies of the occupation (see also "Le
Comte De Monte-Cristo" ,it's escapist cinema.Jean Delannoy 's works are
generally lackluster ;its precedent work "L'Eternel Retour" was also
escapism,updating the legend of Tristan and Isolde ,but it had Jean
This is a muddled affair,and if you do not know the plot,you may find
it hard to follow the plot,mainly in the first third.There's also a
forgivable lack of means ,obvious in the scenes taking place in the
Streets of Paris in the Regency time (between the Sun King and Louis
the Fifteen).And if Pierre Blanchar is a convincing Hunchback,he is a
listless Lagardère ,lacking dynamism,stamina and panache:in brief ,all
that made Jean Marais unsurpassed as Lagardère (Daniel Auteuil did not
outshine him either in the more modern version).Paul Bernard is a fine
villain -he wants to marry the heroine with a so called Hunchback-,but
it's the 1997 movie who featured the very best Gonzague ,portrayed by a
sensational Fabrice Luchini.
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