| John Carradine | ... | Gaston Morel | |
| Jean Parker | ... | Lucille Lutien | |
| Nils Asther | ... | Inspector Jacques Lefevre | |
| Ludwig Stössel | ... | Jean Lamarte (as Ludwig Stossel) | |
| George Pembroke | ... | Inspector Renard | |
| Teala Loring | ... | Francine Lutien | |
| Sonia Sorel | ... | Renee Claremont | |
| Henry Kolker | ... | Deschamps | |
| Emmett Lynn | ... | Le Soldat | |
| Iris Adrian | ... | Mimi Robert | |
| Patti McCarty | ... | Babette | |
| Carrie Devan | ... | Constance | |
| Anne Sterling | ... | Jeanette Le Beau | |
| rest of cast listed alphabetically: | |||
| Harry Cording | ... | Policeman (uncredited) | |
| Frank Darien | ... | Inquiry Judge (uncredited) | |
| Mabel Forrest | ... | Woman (uncredited) (unconfirmed) | |
| John Maxwell Hayes | ... | Man (uncredited) (unconfirmed) | |
| George Irving | ... | The Duke of Carineaux (uncredited) | |
Directed by | |||
| Edgar G. Ulmer | |||
Writing credits | ||
| Arnold Phillips | (story) and | |
| Werner H. Furst | (story) | |
| Pierre Gendron | (screenplay) | |
Produced by | |||
| Leon Fromkess | .... | producer | |
| Martin Mooney | .... | associate producer | |
Original Music by | |||
| Leo Erdody | (as Erdody) | ||
Cinematography by | |||
| Jockey Arthur Feindel | (director of photography) (as Jockey A. Feindel) | ||
| Eugen Schüfftan | (uncredited) | ||
Production Design by | |||
| Eugen Schüfftan | (as Eugen Schufftan) | ||
| Edgar G. Ulmer | (uncredited) | ||
Art Direction by | |||
| Paul Palmentola | |||
Set Decoration by | |||
| Glenn P. Thompson | |||
Makeup Department | |||
| Loretta Francel | .... | hair stylist | |
| Milburn Morante | .... | makeup artist | |
Production Management | |||
| Chris Beute | .... | production manager (as C.A. Beute) | |
Second Unit Director or Assistant Director | |||
| Raoul Pagel | .... | assistant director (as Raoul E. Pagel) | |
Art Department | |||
| Angelo Scibetta | .... | assistant art director | |
| Charles Stevens | .... | master of properties | |
Sound Department | |||
| John R. Carter | .... | sound engineer (as John Carter) | |
Costume and Wardrobe Department | |||
| James Wade | .... | wardrobe (as James H. Wade) | |
Editorial Department | |||
| Carl Pierson | .... | supervising editor | |
Music Department | |||
| Leo Erdody | .... | conductor (as Erdody) | |
Other crew | |||
| Shirley Ulmer | .... | script supervisor (uncredited) | |
| Recent Posts (updated daily) | User |
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| does anyone else find it odd... | anacamille |
| The film can be watched here | tomwoodward5 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Once I found out why John Carradine's character, a Paris portrait artist of young women, strangles them after the paintings are finished, the reason didn't seem to make much sense. But it didn't matter anyway because this picture is full of great scenes and camera angles, and extraordinary acting by everyone, especially Carradine and the beautiful Jean Parker. Parker plays a dressmaker who attends Carradine's operatic outdoor puppet show production one night in one of the film's best scenes. The city is gripped by fear of a Bluebeard, a murderer of women apparently. Nils Asther has a marvelous part as the suave police inspector as does Ludwig Stossel as the murderous artist's agent who knows the truth and blackmails him to paint women because the portraits bring a nice price. And this little movie from poverty row near brilliantly brings out a complexity and subtlety that is in almost every weirdly and creatively shot scene.