Peter, a WW II 'displaced person' about to be deported jumps ship in New York harbor in an effort to find an ex-G.I named Tom whom he helped during the war and can prove Peter's right to ... See full summary »
The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. There are only two problems: First, Nick is the violent type, preferring to do things... See full summary »
Anything can happen during a weekend at New York's Waldorf-Astoria: a glamorous movie star meets a world-weary war correspondent and mistakes him for a jewel thief; a soldier learns that ... See full summary »
Wrangler Clay Phillips and his young brother are taking horses to Sonora when they come across four dancehall girls heading the same way, stuck with a wrecked buggy. He takes the girls on ... See full summary »
Claude Jarman Jr.
Academy Award-winner* Mary Astor (The Maltese Falcon) stars as a widow whose grown children try to break up her romance with a college professor in this charming, offbeat comedy directed by... See full summary »
Lowell Blackford (Kay Kyser) is blessed with a gift of music,but also cursed with a hereditary "evil eye" which hypnotizes people,and he is virtually a recluse. He goes in search of a ... See full summary »
While waiting in New York City to ship out to Europe, a sailor stops by a serviceman's canteen and meets a USO hostess. They immediately fall for each other and get married that night. ... See full summary »
Mary Astor vs. Gloria Grahame -- But In a Comedy, Alas
Mary Astor, operator of a dude ranch near Reno and wedded to a feckless husband who has had problems with "other women" and gambling in the past, battles with golddigger in training Gloria Grahame, whose interest in suave hubby increases when she learns he's just won $40,000 on a lottery ticket. Will husband realize he should stick with stalwart Mary, or, being smitten with BLONDE FEVER, will he run off with the scheming Ms. Grahame?
While this movie has the plot (and the female cast) for a heckuva a mid-40s soap opera, this one is played as comedy. Alas. With the men playing their parts as broadly as possible, a lot of the result is painful. Nevertheless, Gloria Grahame, not yet a noir heroine, plays her not very nice role well enough, and Mary Astor, in one fairly long dramatic scene when she finally gets fed up with her worthless husband, demonstrates just how well she can act, if given the right part. Shame on MGM for sticking her with all those Mother roles.
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