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Blonde Fever (1944)

5.6
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Ratings: 5.6/10 from 153 users  
Reviews: 5 user | 1 critic

Peter owns a small but upscale café on the road between Reno and Lake Tahoe in Nevada. He is a heavy gambler and his marriage is rocky. Into is life come a waitress named Sally.

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Title: Blonde Fever (1944)

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Cast

Cast overview:
Philip Dorn ...
Peter Donay
...
Delilah Donay
Felix Bressart ...
Johnny
...
Sally Murfin
...
Freddie Bilson
Curt Bois ...
Brillon
Elisabeth Risdon ...
Mrs. Talford
Arthur Walsh ...
Willie
Edit

Storyline

Peter owns a small but upscale café on the road between Reno and Lake Tahoe in Nevada. He is a heavy gambler and his marriage is rocky. Into is life come a waitress named Sally.

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

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Details

Country:

Language:

Release Date:

5 December 1944 (USA)  »

Also Known As:

Blonda faran  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Gloria Grahame's first film. See more »

Quotes

Mrs. Talford: Through these portals pass the richest, silliest, saddest people in the world.
See more »

Soundtracks

William Tell Overture
(uncredited)
Music by Gioachino Rossini
Played when Johnny rides in on his new motorcycle
See more »

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User Reviews

 
Mary Astor vs. Gloria Grahame -- But In a Comedy, Alas
8 May 2007 | by (United States) – See all my reviews

Mary Astor, operator of a dude ranch near Reno and wedded to a feckless husband who has had problems with "other women" and gambling in the past, battles with golddigger in training Gloria Grahame, whose interest in suave hubby increases when she learns he's just won $40,000 on a lottery ticket. Will husband realize he should stick with stalwart Mary, or, being smitten with BLONDE FEVER, will he run off with the scheming Ms. Grahame?

While this movie has the plot (and the female cast) for a heckuva a mid-40s soap opera, this one is played as comedy. Alas. With the men playing their parts as broadly as possible, a lot of the result is painful. Nevertheless, Gloria Grahame, not yet a noir heroine, plays her not very nice role well enough, and Mary Astor, in one fairly long dramatic scene when she finally gets fed up with her worthless husband, demonstrates just how well she can act, if given the right part. Shame on MGM for sticking her with all those Mother roles.


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