Country squire Henry Maurier is patient with his wife Emily, a neurotic invalid, but her brother surprises Henry with his young mistress Doris. The same night, Emily dies of her chronic ... See full summary »
Convicted murderess Valerie Carns (Ann Blyth) is being transported to Norwich to be executed when a flood strands her and her guards at a convent hospital. Nurse Sister Mary (Claudette ... See full summary »
Movie star Collier Laing is recalled to active duty with the Army Criminal Investigation Division. His mission: to sweep debutante Marita Connell off her feet and flush out her former ... See full summary »
Katherine Standish, who has been brought up in a strict manner in a prudish New England town, falls in love with a city slicker commercial artist, Peter Van Arden. The romance blossoms ... See full summary »
Gail discovers the shocking news that she is adopted during a heated argument with her sister, Joan. With the reluctant support of her adoptive parents and baby sister, Penny, Gail goes in ... See full summary »
As told to a psychiatrist: Mr. Peabody, middle-aged Bostonian on vacation with his wife in the Caribbean, hears mysterious, wordless singing on an uninhabited rock in the bay. Fishing in ... See full summary »
By 1944, Mickey and Judy had moved past the big barn shows at MGM, but universal took the cue to start their own series. These jazzy, jitterbug filled musicals were made on half the budget, but when found, prove to be as entertaining, if more streetwise, than the apple pie and hot dog mixtures of Louis B. Mayer's vision of teen America during the war years.
The beautiful Ann Blyth is a sweet society girl who wants to help the less than fortunate teens who want to be able to attend an exclusive music school, but Blyth must get around her controlling aunt (Alma Kruger) and us aided by her artist uncle (Leon Errol). Up goes the nightclub, and kids determined to stay out of trouble pray for the best as they tap their troubles away.
Two of the musical numbers from this also were heard in MGM musicals the same year: "Loch Loman", here sung in a jazzy version to stodgy musical school director Ian Wolfe, done in a more lavish but similar way in " Bathing Beauty", and Marion Hutton's hit, "Take It Easy", performed by Virginia O'Brien in "Two Girls and a Sailor". Peggy Ryan scores in a song and dance version of the childhood game, " Musical Chairs".
June Preisser, who was deliberately cloying as the perky former child in "Babes in Arms", basically repeats her role, singing admirably (but still somewhat cloying) a cute number called, "I've got a way with the boys". As a result of all the musical numbers and great comic performances (also including Andy Devine), this is quite good, given a few lavish moments for good measure.
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