June Allyson plays a band singer working in New York City; Van Johnson is the manager of a fancy apartment house where a murder is committed. The victim is Allyson's wealthy uncle, and ... See full summary »
A police lieutenant sets out to break up a ring of tire bootleggers--criminals who sell defective tires to customers who can't get new ones because of the rubber shortage brought about by ... See full summary »
D. Ross Lederman
Based on the story "See How They Run," which ran in the June 1951 issue of "The Ladies' Home Journal" and subsequently won that year's Christopher Award. The story was written by Mary ... See full summary »
In 1915, Atlantic City is a sleepy seaside resort, but Brad Taylor, son of a small hotel and vaudeville house proprietor, has big plans: he thinks it can be "the playground of the world." Brad's wheeling and dealing proves remarkably successful in attracting big enterprises and big shows, but brings him little success in personal relationships. Full of nostalgic songs and acts, some with the original artists. Written by
Rod Crawford <firstname.lastname@example.org>
On the Boardwalk at Atlantic City, Life Will Be Peaches and Cream
Ray McCarey directs this Betty Grable-style musical (think CONEY ISLAND) for a surprisingly good Republic flick. The leads are competent, although relatively unknown, but there is an excellent supporting cast, including Charley Grapewin, and the film is eked out with some marvelous vaudeville and performing talent, including Joe Frisco, Al Shean, Louis Armstrong, Paul Whiteman and Buck and Bubbles, a great dancing act.
The plot concerns Stanley Brown, who -- in the movie, anyway -- came up with all the ideas that made Atlantic City a major resort in the first half of the 20th Century, but stepped on everyone on the way up. The performances and photography are excellent and serve as a fine backdrop. If you're a fan of old-time vaudeville, definitely worth your time.
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