A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's "Winter" movement of "The Four Seasons" plays. Heavy red filters... See full summary »
A man is supine on a mountain side. Images rush past of nature and a stained glass saint. An infant is born. We see a lactating nipple. Images include a mountain peak, farm buildings, a ... See full summary »
A solitary flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a phone off the hook: discordant images a woman sees as she comes home. She naps and, ... See full summary »
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in ... See full summary »
Kiki of Montparnasse,
André de la Rivière,
A Slavonic Mass by Leos Janácek plays as historical figures, biblical characters, and mythical creatures gather in the pleasure dome. Aphrodite, Lilith, Isis, Kali, Astarte, Nero, Pan, and ... See full summary »
Samson De Brier,
Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing... See full summary »
Maya Deren certainly does capture her dreams. Even through a silent soundtrack, she creates a gripping linear story line out of symbols, scattered situations, and moods. Through it all, she displays a sensuous love for cinematography by eliminating all but one dischordant splice. It flows together as an answer to all the movie-lovers who wished movies would cut between shots with a little more flow. Not to mention, that she's a fricking lovely actress! To me, it's even more accomplished than her "Meshes of the Afternoon" from the year before, since it's less frenzied, and takes its time to build a mood that draws the viewer in and ends up accelerating with unexpected twists.
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