| Photos (See all 27 | slideshow) |
| Cary Grant | ... | Mortimer Brewster | |
| Priscilla Lane | ... | Elaine Harper | |
| Raymond Massey | ... | Jonathan Brewster | |
| Jack Carson | ... | O'Hara | |
| Edward Everett Horton | ... | Mr. Witherspoon | |
| Peter Lorre | ... | Dr. Einstein | |
| James Gleason | ... | Lt. Rooney | |
| Josephine Hull | ... | Abby Brewster | |
| Jean Adair | ... | Martha Brewster | |
| John Alexander | ... | 'Teddy Roosevelt' Brewster | |
| Grant Mitchell | ... | Reverend Harper | |
| Edward McNamara | ... | Brophy | |
| Garry Owen | ... | Taxi Cab Driver | |
| John Ridgely | ... | Saunders | |
| Vaughan Glaser | ... | Judge Cullman | |
| Chester Clute | ... | Dr. Gilchrist | |
| Charles Lane | ... | Reporter | |
| Edward McWade | ... | Gibbs | |
| rest of cast listed alphabetically: | |||
| Spencer Charters | ... | Marriage License Clerk (uncredited) | |
| Sol Gorss | ... | New York Pitcher (uncredited) | |
| Herbert Gunn | ... | Undetermined Supporting Role (uncredited) | |
| Roland Jones | ... | Undetermined Supporting Role (uncredited) | |
| Hank Mann | ... | Photographer at Marriage License Office (uncredited) | |
| Spec O'Donnell | ... | Young Man in Line (uncredited) | |
| Lee Phelps | ... | Umpire (uncredited) | |
| Don Phillips | ... | Undetermined Supporting Role (uncredited) | |
| Raymond Walburn | ... | Drummer at baseball game (uncredited) | |
| Leo White | ... | Man in Phone Booth (uncredited) | |
| Jean Wong | ... | Young Woman in Line (uncredited) | |
Directed by | |||
| Frank Capra | |||
Writing credits | ||
| Julius J. Epstein | (screen play) and | |
| Philip G. Epstein | (screen play) | |
| Joseph Kesselring | (play) | |
Produced by | |||
| Jack L. Warner | .... | executive producer | |
| Frank Capra | .... | associate producer (uncredited) | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Sol Polito | (director of photography) | ||
Film Editing by | |||
| Daniel Mandell | |||
Art Direction by | |||
| Max Parker | |||
Costume Design by | |||
| Orry-Kelly | (gowns) | ||
Makeup Department | |||
| Perc Westmore | .... | makeup artist | |
| George Bau | .... | makeup artist (uncredited) | |
| Anita De Beltrand | .... | hair stylist (uncredited) | |
| John Wallace | .... | makeup man (uncredited) | |
Production Management | |||
| Eric Stacey | .... | unit manager (uncredited) | |
| Steve Trilling | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Claude Archer | .... | second assistant director (uncredited) | |
| Russell Saunders | .... | assistant director (uncredited) | |
Art Department | |||
| Lucien Hafley | .... | props (uncredited) | |
| Keefe Maley | .... | second propman (uncredited) | |
| Alfred Williams | .... | assistant propman (uncredited) | |
| Levi C. Williams | .... | assistant propman (uncredited) | |
Sound Department | |||
| C.A. Riggs | .... | sound | |
| Everett Alton Brown | .... | sound mixer (uncredited) | |
Special Effects by | |||
| Robert Burks | .... | special effects | |
| Byron Haskin | .... | special effects | |
Camera and Electrical Department | |||
| Wesley Anderson | .... | second camera (uncredited) | |
| Joe Cramer | .... | best boy (uncredited) | |
| Frank Evans | .... | assistant camera (uncredited) | |
| Mickey Marigold | .... | still photographer (uncredited) | |
| Harold Noyes | .... | grip (uncredited) | |
| Charles O'Bannon | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Eugene Joseff | .... | costume jeweller (uncredited) | |
| Cora Lobb | .... | wardrobe (uncredited) | |
| Leon Roberts | .... | wardrobe (uncredited) | |
Music Department | |||
| Leo F. Forbstein | .... | musical director | |
| Hugo Friedhofer | .... | orchestrator | |
Other crew | |||
| Russel Crouse | .... | producer: stage play | |
| Howard Lindsay | .... | producer: stage play | |
| Harold Winston | .... | dialogue director | |
| Bob Fender | .... | unit publicist (uncredited) | |
| Herman Lissauer | .... | researcher (uncredited) | |
| Mal Merrihugh | .... | stand-in: Cary Grant (uncredited) | |
| Wandra Ramsey | .... | script clerk (uncredited) | |
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| Arsenik og gamle kniplinger | Arsenic and Old Lace | The Night of the Hunter | Psycho | Gone with the Wind |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This is my all-time favorite classic movie. It has an very sophisticatedly entertaining plot line, the casting is superb, the pace is breathtaking, and it deals with a subject (euthanasia) that is still controversial today. The story is a fine example of "black comedy", where a socially unacceptable idea is shown in a very entertaining manner.
The story is set up brilliantly right from the get-go; where a 'certifiable' publicly-acclaimed bachelor is secretly getting married. The personality of the cast is excellent. I know that Cary Grant reckoned this was his worst movie, saying it was more of a "Jimmy Stewart-type part"; but his spot-on comic timing and professional style hamming plays the role to perfection. Also co-starring in the movie is a brilliant Peter Lorre as a maniac doctor and Raymond Massey as the psychotic brother. Most critics have attacked this film by saying the script refers to the psycho being a Boris Karloff look-alike, highlighting the fact that Boris played the role is the original stage play. However Massey plays the role to deadpan perfection, and the humor of the scenario still works.
My favorite scene is the self-referential one where Mortimer (a theater critic)is describing "bad plays (and movies)". If you watch the background action, and pay attention to the dialog, the ironic situation is brilliantly realized. This film also has my personal favorite quote, said by Cary Grant as Peter Lorre frantically tries to warn him of impending doom; "Stop underplaying - I can't hear you!"