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And Now Tomorrow (1944)

7.0
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Ratings: 7.0/10 from 196 users  
Reviews: 7 user | 3 critic

Emily Blair is rich and deaf. Doctor Vance, who grew up poor in Blairtown, is working on a serum to cure deafness which he tries on Emily. It doesn't work. Her sister is carrying on an ... See full summary »

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Cast

Complete credited cast:
...
...
...
...
Jeff Stoddard
...
Aunt Em
...
Doctor Weeks
...
Uncle Wallace
Helen Mack ...
Angeletta Gallo
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Storyline

Emily Blair is rich and deaf. Doctor Vance, who grew up poor in Blairtown, is working on a serum to cure deafness which he tries on Emily. It doesn't work. Her sister is carrying on an affair with her fiance Jeff. Vance tries a new serum which causes Emily to faint... Will it work this time ? Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Plot Keywords:

based on novel | See All (1) »

Taglines:

A Courageous Love Story! See more »

Genres:

Drama

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Details

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Release Date:

16 November 1945 (Portugal)  »

Also Known As:

Prisoners of Hope  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Trivia

Remade as And Now Tomorrow (1952). See more »

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User Reviews

 
Unusual Pairing and Venue
28 December 2012 | by (United States) – See all my reviews

This is a decent quality movie overall with some good people, some surprising to see together. That's the way I felt about Loretta Young and Alan Ladd. Somehow, Ms. Young came off kind of awkward in appearance here, perhaps partially due to compensations having to be made for the difference in height between the two leads. But she seemed less graceful overall than I've ever seen her, even in a lot of the costumes. As mentioned, this is a departure for Ladd in type and he's good enough doing what he did, but not 100% for the pairing. He seemed to be mocking and scoffing at Emily all the way through, despising her really rather extremely and then suddenly he's in love with her. Not so smooth a transition. Yet, I enjoyed some of it, but it was just too choppy between them overall. The ending was unforgivable. Ms. Young's automatic speaking of the title phrase was so flat and inept as was the following kiss, with Ladd looking like he was lying in her lap with his head on her chest. Just so awkward.

The rest of it was smooth enough, if not redeeming of the angst created by the above. Barry Sullivan was in very good looks here, Susan Hayward doing a good enough job. Ms. Bondi, as always, provided quality and authenticity in her unusual role as a society matron. Cecil Kellaway was wonderful. Maybe another try at some future date.


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