The caliph of Baghdad must go into hiding with a group of traveling performers when his brother usurps the throne. Both brothers desire a beautiful dancing girl, who is torn between power and true love.
Rich oriental lord Cassim's cheeky servant Ali Baba was sent to buy a meaty girl-slave, but brings dancer Morgiane, whom he is enamored with. When he's part of a caravan robbed by Abdel's ... See full summary »
Upon discovering his fiancée Tollea has been kidnaped, Ramu and his friend Kado set out for a Pacific isle where all strangers are to be killed on arrival and the inhabitants, who are ... See full summary »
After her banishment from Rome, Jewish Princess Salome returns to her Roman-ruled native land of Galilee where prophet John the Baptist preaches against Salome's parents, King Herod and Queen Herodias.
Ali Baba, son of the Kalif of Bagdad is brought up by the 40 Thieves after his father is killed by the soldiers of Hugalu Khan, who received the necessary information by traitor Cassim. Ali becomes the leader of the thieves and they are fighting for the freedom of his land. Per chance Ali captures the fiancée of Hugalu Khan, who turns out to be his girl friend Amara. After a few misunderstandings Ali uses her wedding day with Hugalu Khan as the day for the liberation of Bagdad. Written by
Stephan Eichenberg <email@example.com>
The reason the plot of the fairy tale wasn't used for the movie may have had something to do with the fact that in the original fairy tale, there are some 42 murders; the first is Ali Baba's cousin, and the other 41 are those of the 40 thieves themselves and, later, their ringleader, who arrives at Ali Baba's disguised as a merchant and thirsting for revenge. He is the last of the Forty Thieves to die. The others die when, after smuggling themselves into Ali Baba's house in wine casks, boiling hot water is poured into each of the casks containing a bandit. See more »
When the thieves are singing as they return to the cave the camera is leading them. The tire tracks of the camera car are plainly visible in the sand in front of the horse's hooves. See more »
For a man's country or his stomach he might bid his life; even for his horse. Never, never for a woman.
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I saw this a few days ago after a gap of many years and it's still fun to watch. There was a whole spate of these highly colored Arabian Nights adventures in the 1940's and audiences lapped them up. The fun now is in the apparent seriousness with which they were made and the earnestness of not very good actors and actresses spouting there quasi poetic dialog.
These films were bonanzas for the exotic looking performers of the period, Turhan Bey, Jon Hall and Maria Montez (one of the lust objects of my adolescence). She would often wear quite revealing see-through dresses and there was always at least one scene where she emerged from a bath or swimming pool, quickly being discretely covered by large towels borne by hand-maidens.
Extras were cheap in those days and so there is a cast of thousands but most of the time the director does no more than fill the screen with bodies. Look at the battle scenes and you will see most of the participants are just waving their scimitars in the air aimlessly.
Ali Baba has wicked caliphs and valiant freedom fighters battling it out in the Hollywood desert. The ridiculousness of the All American Andy Devine as an Arab. Fairy tale cardboard castles. All makes for colorful entertainment.
I give it 8 out 10.
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