6.8/10
268
13 user 3 critic

Address Unknown (1944)

Approved | | Drama | 1 June 1944 (USA)
US art dealer returns to his native Germany for a visit and is attracted by Nazi propaganda.

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(screenplay), (based on a book by)
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Nominated for 2 Oscars. See more awards »
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Cast

Cast overview, first billed only:
...
Martin Schulz
...
Baron von Friesche
...
...
Morris Carnovsky ...
Max Eisenstein
...
...
Postman
Mary Young ...
Mrs. Delaney
...
Jimmie Blake
...
Censorial Pipsqueak
Erwin Kalser ...
Stage Director
...
Professor Schmidt
Dale Cornell ...
Carl Schulz
Peter Newmeyer ...
Wilhelm Schulz
...
Youngest Schulz Boy (as Larry Joe Olsen)
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Storyline

US art dealer returns to his native Germany for a visit and is attracted by Nazi propaganda.

Plot Summary | Add Synopsis

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Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

1 June 1944 (USA)  »

Also Known As:

Agnostos diefthynsis  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

K.T. Stevens (real name: Gloria Wood) is the daughter of the film's producer, Sam Wood. See more »

Goofs

In the opening scene Paul Lukas's character Martin Schulz are toasting to San Francisco as he is leaving soon, one can see they are standing in front of a picture that cuts off-does not go all the way to the top of the screen. See more »

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User Reviews

 
Censored
8 February 2010 | by See all my reviews

Martin Schulz (Paul Lukas) and Max Eisenstein (Morris Carnovsky) are business partners. Martin moves to Germany with all of his family except for his eldest son Heinrich (Peter van Eyck), who stays behind to look after things in San Francisco with Max. Meanwhile, Max's daughter Griselle (KT Stevens) travels to Germany to become an actress. The families are very close and Heinrich and Griselle have future plans to marry. Once Baron von Friesche (Carl Esmond) appears on the scene, Martin goes through a change and is indoctrinated into the Nazi lifestyle. This means rejecting his Jewish friend, Max, and his friend's daughter Griselle.

The story develops through letter correspondence between the two friends, Martin and Max. There are several stand out scenes, my favourites being the performance at the theatre when Griselle disobeys the Nazi authorities and the following chase that ensues in order to catch her. The acting is good, particularly from Carl Esmond. You just know that there is a nasty ulterior motive lurking behind everything that he says and does. Once Martin begins to receive coded letters, suspicion is aroused by the German censors and it's a matter of time before something happens to him... There is a twist at the end.


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