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The Youngest Profession (1943)

Passed  -  Comedy | Romance  -  15 May 1944 (Sweden)
5.8
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Ratings: 5.8/10 from 207 users  
Reviews: 11 user

Joan Lyons and her friend Patricia Drew are autograph hounds spending most of their day bumping into, and having tea, with the likes of Greer Garson and Walter Pidgeon. Based on ... See full summary »

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(screenplay), (screenplay), 3 more credits »
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Lucille Ball accepts an invitation to a military academy's senior prom in order to boost her career..

Director: Edward Buzzell
Stars: Lucille Ball, William Gaxton, Virginia Weidler
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Cast

Cast overview, first billed only:
...
Joan Lyons
...
Burton V. Lyons
John Carroll ...
Dr. Hercules
Ann Ayars ...
Susan Thayer
Marta Linden ...
Edith Lyons
Dick Simmons ...
Douglas Sutton
...
Miss Featherstone
Jean Porter ...
Patricia Drew
Raymond Roe ...
Schuyler
Dorothy Morris ...
Secretary
Scotty Beckett ...
Junior Lyons
Marcia Mae Jones ...
Vera Bailey
Sara Haden ...
Sister Lassie
Beverly Tyler ...
Thyra Winter (as Beverly Jean Saul)
Marjorie Gateson ...
Mrs. Drew
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Storyline

Joan Lyons and her friend Patricia Drew are autograph hounds spending most of their day bumping into, and having tea, with the likes of Greer Garson and Walter Pidgeon. Based on misinformation from a meddling old-maid governess, Miss Featherstone, Joan also devotes some time to working on the no-problem marriage of her parents to the extent of hiring Dr. Hercules, the strong man from a side show to pay attention to her mother in order to make her father jealous, despite the good advice received from Walter Pidgeon. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

|

Release Date:

15 May 1944 (Sweden)  »

Also Known As:

Caçando Estrelas  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on December 20, 1943 with Virginia Weidler and Edward Arnold reprising their film roles. See more »

Connections

Features Crossroads (1942) See more »

Soundtracks

Easy to Love
(1936) (uncredited)
Written by Cole Porter
Played as dance music at the soiree
See more »

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User Reviews

 
A cute idea but this could have certainly been better
19 August 2008 | by (Bradenton, Florida) – See all my reviews

The story is about an autograph-crazy teenager and her kooky friends who will do practically anything to meet celebrities. This is a small picture from MGM that has a lot going for it, but it also has a lot against it.

Let's first talk about the good. Edward Arnold does a wonderful job as the befuddled father of the lead wacky teen. He is suitably angry and confounded--an excellent and funny role. In addition, the film has some lovely cameos, as you get to see such notables as Greer Garson, Walter Pidgeon, Robert Taylor and William Powell. It's nice to see them playing themselves, though I seriously doubt that Garson would really invite star-struck teens in for tea, Pidgeon would have a fatherly talk with them--dispensing advice, or that Robert Taylor would deliver messages. These sweet cameos really were fun to see and did a lot to endear the stars to their fans. Plus it's a cute change of pace to see them as "real folks".

However, the bad outdoes a lot of the good. The autograph-crazy girl, Joan (Virginia Weidler) is just too annoying. It was so bad that I really wanted to see Arnold rap her in the mouth! And, although this girl acted too broadly and was too irritating for words, the character played by Agnes Moorehead was just too hateful and broad--and much worse! I actually was rooting to see this witch hit by a bus--and she was too rotten and conniving to be funny or realistic. In fact, neither seemed the least bit real and were severe detriments to the film. It's really too bad, as the idea for the film was fine but the actual writing and dialog sagged--and it's no wonder I just couldn't stand Wiedler and Moorehead--the writers simply gave us little to like.

A passable little film with some supposedly behind the scenes views, but nothing more.


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