For those, if any, who have wondered why so many Paramount contractees appeared in United Artists' films during the war years, this is another one of the Paramount productions that was sold... See full summary »
Jerry McKibbon is a tough, no nonsense reporter, mentoring special prosecutor John Conroy in routing out corrupt officials in the city, which may even include Conroy's own police detective father as a suspect.
Construction workers in World War II in the Pacific are needed to build military sites, but the work is dangerous and they doubt the ability of the Navy to protect them. After a series of ... See full summary »
On trial for murder, Larry Ballantyne regurgitates an unbelievable story. He recounts how he philanders to other women while his rich loving wife Gretta tries to keep him in line. According... See full summary »
Emily Blair is rich and deaf. Doctor Vance, who grew up poor in Blairtown, is working on a serum to cure deafness which he tries on Emily. It doesn't work. Her sister is carrying on an ... See full summary »
Story follows the training and personal lives of three recruits in the Army Air Corps --- a wealthy playboy, a college jock and an auto mechanic. Love interest is supplied by a female ... See full summary »
For those, if any, who have wondered why so many Paramount contractees appeared in United Artists' films during the war years, this is another one of the Paramount productions that was sold to United Artists in the early-40's when U.A. was having trouble meeting their exhibitor contracts because of lack of product, mainly due to their loss of production in England. A group of starving, but young and willing, actors band together to share finances and an apartment. Norman Reese (William Holden) orders no love nonsense between the boys and girls till they are set on broadway, but Marge Benson (Barbara Britton) and Tony Dennison (James Beown) are already secretly married. A friend drops in to see Dottie Coburn (Martha O'Driscoll) and is shocked to find the boys and girls sharing the same apartment and insists it is her duty to inform Dottie's father (Jay Fassett.) Since Dottie is the only one with any money, the boys hurriedly pack their belongings and leave until after Mr. Coburn's ... Written by
Les Adams <email@example.com>
The movie went along well enough when they weren't acting out parts that were supposed to illustrate they were still neophytes with very little talent. There were many elements of a screwball comedy but as much as I was interested in seeing the cast at this stage in their careers, this movie was so amateurishly written almost any of us could think of ways to improve it substantially. And Florence MacMichael's voice gave me a headache.
There was a bottle of medicine that figured in the plot that was supposed to be helpful for an expectant mother. It seemed to be a mystery substance known only to fictional doctors.
I'd suggest that a 1943 audience would be annoyed, even angered, that the guys weren't all in the military and the gals were totally uninterested in anything but acting. This movie would have gone over a lot better before Pearl Harbor.
I prefer Robert Benchley's writing to his movie roles but I always find him enjoyable and he worked well with Mabel Paige as the two responsible adults with all these immature young people.
If you are a very tolerant and easy-going person who laughs readily, you might enjoy this movie as a light-hearted romp. If you want to know what these people were like then, you might want to see this movie. Everybody else would be happier avoiding it.
7 of 8 people found this review helpful.
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