Nora and her uncle get railroaded into spending the night at a broken-down hotel in Canada. After Nora falls for the handsome owner, she convinces her uncle to invest in the inn and ...
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Marine, James Murfin, is unaware of Icelandic customs. When he flirts with Katina her Icelandic family take his actions as a proposal of marriage to Katina. Desperately wanting out, James ... See full summary »
When Phil Corey's band arrives at the Idaho ski resort its pianist Ted Scott is smitten with a Norwegian refugee he has sponsored, Karen Benson. When soloist Vivian Dawn quits, Karen stages an ice show as a substitute.
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William A. Seiter
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Nora and her uncle get railroaded into spending the night at a broken-down hotel in Canada. After Nora falls for the handsome owner, she convinces her uncle to invest in the inn and modernize it. After the hotel opens, Nora's uncle faces financial ruin and her romance hit a snag in the form of pretty reporter. Written by
Daniel Bubbeo <firstname.lastname@example.org>
According to Hedda Hopper's April 13, 1943 column Sonja Henie was very jealous of the attention Carole Landis was getting for her work with the troops and Sonja gave her dirty looks when they were on the set together. See more »
Not one of the best films starring the always watchable Sonja Henie, but also not among the worst either. If anything somewhere in the middle, being a decent film but lacking in a few areas that stop it from being even better.
Henie truly dazzles in her ice skating routines, with the energetic and graceful choreography it is an absolute pleasure watching her. She charms as an actress too. SZ Sakall is amusing, while Carole Landis is hilarious and Cesar Romero bags the best lines and overall material. 'Wintertime' boasts a light-hearted and often very funny script, if sometimes a little heavy on the clichés.
It's beautifully filmed in black and white and the sets and costumes are suitably lavish. The music is very pleasant, with inspired use of Tchaikovsky's "Waltz of the Flowers" and "Later Tonight" coming off best of the songs, and works well within the film and on its own very well.
On the other hand, the story is silly, as thin as ice and sometimes lacks momentum and charm. Two performances also don't come off. Jack Oakie (who has been much better and funnier before) overdoes it, with his blustering coming across as obnoxious, while Cornel Wilde has nothing to do and it shows in his bland and charmless performance and nondescript chemistry with the rest of the cast.
To conclude, dazzles in many components while also floundering in a few. 6/10 Bethany Cox
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