In a 17th-century Danish village, an old woman is accused of witchcraft. In the shadow of her flight, capture, confession, and burning at the stake, the young wife of the town's aging pastor falls in love with the pastor's son. Her confession of this illicit affair to her husband brings on her husband's death. At the funeral the pastor's mother denounces the young widow as a witch. Will the widow's lover come to her defense, or has the day of wrath returned? Written by
Did You Know?
Though the film is outwardly a chronicle of a religious witch-hunt, it contained many subtler comparisons to the behavior of the Nazis (torture and questioning) and Carl Theodor Dreyer
fled Denmark for Sweden where he remained until the war was over. See more
When Absalon converses with Laurentius on his death bed, a microphone is visible at the top of the frame. See more
I see through my tears, but no one comes to wipe them away.
Referenced in The Voice of Bergman