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The Last Wagon (1943)
"L'ultima carrozzella" (original title)

 -  Comedy  -  10 August 1952 (Spain)
6.2
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Ratings: 6.2/10 from 35 users  
Reviews: 1 user | 1 critic

The roman coachman Totò doesn't want his coach being replaced by cars and doesn't want his daughter Nannarella to go out with the taxi driver Roberto. But it is Roberto who saves him when ... See full summary »

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(screenplay), (story), 1 more credit »
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Title: The Last Wagon (1943)

The Last Wagon (1943) on IMDb 6.2/10

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Cast

Cast overview, first billed only:
Aldo Fabrizi ...
Antonio Urbani, detto "Toto"
...
Mary Dunchetti, la canzonettista
Anita Durante ...
Adele Urbani
Elide Spada ...
Nannarella Urbani
Enzo Fiermonte ...
Roberto Pinelli, l'autista
Aristide Garbini ...
Pasquale, suo padre
Lauro Gazzolo ...
Andrea, il portiere
Tino Scotti ...
Valentino Doriani, il comico
Nando Bruno ...
Augusto Pallotta, il vetturino
Leopoldo Valentini ...
Ottone Roncucci detto "Paradiso"
Oreste Fares ...
Il medico
Marina Doge ...
L'amica di Nannarella
Olga Solbelli ...
La padrona della pensione "Flora"
Vittorio Cuomo ...
Filippo, il padrone dell'osteria
Renato Mariani ...
Il signor sul treno
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Storyline

The roman coachman Totò doesn't want his coach being replaced by cars and doesn't want his daughter Nannarella to go out with the taxi driver Roberto. But it is Roberto who saves him when he gets into trouble. Written by Salvatore Santangelo <pappagone2@libero.it>

Plot Summary | Add Synopsis

Genres:

Comedy

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Release Date:

10 August 1952 (Spain)  »

Also Known As:

A Última Carrozzella  »

Company Credits

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Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
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User Reviews

Roman comedy.
2 August 2001 | by (United States) – See all my reviews

Anna Magnani and Aldo Fabrizi appear here together in this fascist-era comedy. Their most famous film together would be the Rossellini neo-realist masterpiece OPEN CITY made as the war was ending a couple of years later. Federico Fellini collaborated on the script of this quite silly story about a Roman horse-and-buggy cabbie and his bout with Anna Magnani, a singer, over a lost necklace. The cabbie is accused of stealing it and winds up in court when she presses charges. The rest of the film deals with Fabrizi's attempts to prevent his daughter from marrying a taxi driver who uses a real car, not a horse-and-buggy. That's not traditional enough! At the end of the film the necklace is found, all is forgiven, the daughter's boyfriend becomes part of the family. Mario Mattoli, the director, made dozens of pleasantly vacuous films similar to this one throughout his long career.


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